例文・使い方で印象づける「facial」の覚え方


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...Hebelonged to the family of anthropoid apes, of which the facial angle isnot much inferior to that of the Australians and Hottentots...   Hebelonged to the family of anthropoid apes, of which the facial angle isnot much inferior to that of the Australians and Hottentotsの読み方
Jules Verne William Henry Giles Kingston 「Abandoned」

...Results with cattle are not shown by facial expression nor by increased speed, but simply by continuance...   Results with cattle are not shown by facial expression  nor by increased speed, but simply by continuanceの読み方
Stewart Edward White 「African Camp Fires」

...—Skull of the Horse: Measure of the Facial Angle bythe Method of Camper...   —Skull of the Horse: Measure of the Facial Angle bythe Method of Camperの読み方
Édouard Cuyer 「Artistic Anatomy of Animals」

...Bats without facial membranes; with short obtuse and bull-doggishheads; large lips...   Bats without facial membranes; with short obtuse and bull-doggishheads; large lipsの読み方
Robert A. Sterndale 「Natural History of the Mammalia of India and Ceylon」

...Head, upper, wings, tail reddish-brown; under rufousblotched white; facial disc indistinct, grayish-whiteedged black; f...   Head, upper, wings, tail reddish-brown; under rufousblotched white; facial disc indistinct, grayish-whiteedged black; fの読み方
John Albert Leach 「An Australian Bird Book」

...Similar to , but smaller and grayer, the foreheadand facial disc with more white, the upperpartsless distinctly spotted...   Similar to , but smaller and grayer, the foreheadand facial disc with more white, the upperpartsless distinctly spottedの読み方
Frank M. Chapman 「Color Key to North American Birds」

...An involuntary contractionof his facial muscles betrayed him, and the Chinamanpulled the dagger away before the residentcould impale himself upon it...   An involuntary contractionof his facial muscles betrayed him, and the Chinamanpulled the dagger away before the residentcould impale himself upon itの読み方
John Charles Beecham 「The Argus Pheasant」

...On the anterolateralsurface of the prootic, branches of the trigeminal nerve pass through threeforamina whereas the facial nerve passes through the single posterior foramennear the otic notch...   On the anterolateralsurface of the prootic, branches of the trigeminal nerve pass through threeforamina whereas the facial nerve passes through the single posterior foramennear the otic notchの読み方
John Wellman 「A Revision of Snakes of the Genus Conophis (Family Colubridae, from Middle America)」

...There is a contrast between Anura and most Urodela in the relativepositions of the stapes and facial nerve, as shown in DeBeer's (1937)diagrams...   There is a contrast between Anura and most Urodela in the relativepositions of the stapes and facial nerve, as shown in DeBeers (1937)diagramsの読み方
Theodore H. Eaton 「The Ancestry of Modern Amphibia: A Review of the Evidence」

...The facial disc isdivided into three parts by a median area of straight or irregularlateral boundaries ending anteriorly in two in-turned scrolls suggestingthe alae of the nose...   The facial disc isdivided into three parts by a median area of straight or irregularlateral boundaries ending anteriorly in two in-turned scrolls suggestingthe alae of the noseの読み方
Alfred M. Tozzer and Glover M. Allen 「Animal Figures in the Maya Codices」

...In all these the tail is less characteristic, thoughcomposed of long, narrow feathers, and the facial markings are reducedto a ring of circular marks about the eye...   In all these the tail is less characteristic, thoughcomposed of long, narrow feathers, and the facial markings are reducedto a ring of circular marks about the eyeの読み方
Alfred M. Tozzer and Glover M. Allen 「Animal Figures in the Maya Codices」

...Their headsare shaped as in other representations of this monkey with a distinctcap or bonnet and facial discs...   Their headsare shaped as in other representations of this monkey with a distinctcap or bonnet and facial discsの読み方
Alfred M. Tozzer and Glover M. Allen 「Animal Figures in the Maya Codices」

...The Siennafrescos by Ambrogio Lorenzetti are strong in facial character, andsome of the figures, like that of the white-robed Peace, are beautifulin their flow of line...   The Siennafrescos by Ambrogio Lorenzetti are strong in facial character, andsome of the figures, like that of the white-robed Peace, are beautifulin their flow of lineの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

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