例文・使い方で印象づける「enamels」の覚え方
スポンサーリンク..., all in cloisonné work, with beautiful stones such as lapis lazuli, green felspar, and carnelian taking the place of coloured enamels... 
L.W. King and H.R. Hall 「History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria In The Light Of Recent Discovery」
...Many Fayûm mummies were coated with plaster orstucco, the texts and religious designs, which are generally painted, beingformed of glass enamels incrusted upon the surface of the plaster...
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」
...
The make of this jewel reminds us of cloisonné enamels...
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」
...The early or Pagan periodis noted for its bronze work, cast and wrought, and enriched withChamplevé enamels...
Richard Glazier 「A Manual of Historic Ornament」
...The early bronzes, enamels, porcelain and textile fabrics of China areindicative of the perfection and luxuriance of the decorative arts ofthat ancient Empire...
Richard Glazier 「A Manual of Historic Ornament」
..., 1400-82, produced many beautiful terra cotta reliefs coated withthe white tin enamel and enriched with coloured enamels...
Richard Glazier 「A Manual of Historic Ornament」
...An early example of English cloisonné is the jewel of King Alfred, nowin the Ashmolean Museum, Oxford: this has a rich setting of opaque andtranslucent enamels...
Richard Glazier 「A Manual of Historic Ornament」
...A most exquisite kind of enamel called “Plique à Jour,” was used bythe Byzantines; this was composed of open filigree cloisons, filled withtranslucent enamels...
Richard Glazier 「A Manual of Historic Ornament」
...These Champlevé enamels upon bronze have usually an opalescent or cloudyappearance caused by the fusion of the tin in the bronze alloy duringfiring...
Richard Glazier 「A Manual of Historic Ornament」
...Classed among the Champlevé enamels is that method called or “Baisse Taille,” in which the plate is engravedin low relief or beaten up in repoussé and then flooded with translucentenamel...
Richard Glazier 「A Manual of Historic Ornament」
...During the 11th and12th centuries, was renowned for its fine Champlevé enamels, butearly in the 15th century were introduced and Limogesbecame the centre of this art, called late Limoges or ...
Richard Glazier 「A Manual of Historic Ornament」
...These Limogesenamels have a splendid technic, but they lack the charms of theluminous colour and judicious use of enamels of the early Champlevéperiod...
Richard Glazier 「A Manual of Historic Ornament」
...About 1600-1650, Jean Toutin and his pupil Petitotproduced some fine painted miniatures in opaque enamels upon gold,remarkable for delicacy and perfection of enamelling...
Richard Glazier 「A Manual of Historic Ornament」
...obtained some richness in thepainted enamels by the use of “Paillons” or pieces of metallic foilwhich were afterwards flooded with translucent enamel...
Richard Glazier 「A Manual of Historic Ornament」
...They are of great intrinsic value, of beautiful workmanship,chased and engraved, and enriched with cast and repoussé work and thechoicest enamels...
Richard Glazier 「A Manual of Historic Ornament」
...I have known enamels to be in the stoves withheat to 270° for two and three days, and then be soft...
William N. Brown 「Handbook on Japanning: 2nd Edition」
...The seven volumeswhich then were covered with crimson velvet andsilver bosses and enamels, are now simply boundin red morocco...
John W. Bradley 「Illuminated Manuscripts」
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