例文・使い方で印象づける「enamels」の覚え方


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..., all in cloisonné work, with beautiful stones such as lapis lazuli, green felspar, and carnelian taking the place of coloured enamels...   , all in cloisonné      work, with beautiful stones such as lapis lazuli, green felspar, and      carnelian taking the place of coloured enamelsの読み方
L.W. King and H.R. Hall 「History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria In The Light Of Recent Discovery」

...Those in the tomb of Sennetmûwere decorated on one side with a large necklace, or collar, like thecollars found upon mummies, painted in very bright colours to simulatenatural flowers or enamels...   Those in the tomb of Sennetmûwere decorated on one side with a large necklace, or collar, like thecollars found upon mummies, painted in very bright colours to simulatenatural flowers or enamelsの読み方
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」

...The early bronzes, enamels, porcelain and textile fabrics of China areindicative of the perfection and luxuriance of the decorative arts ofthat ancient Empire...   The early bronzes, enamels, porcelain and textile fabrics of China areindicative of the perfection and luxuriance of the decorative arts ofthat ancient Empireの読み方
Richard Glazier 「A Manual of Historic Ornament」

...Having no jewellery, theyuse little of the precious metals; iron, bronze, enamels, wood and lac,being the chief materials utilised in the decorative arts of Japan...   Having no jewellery, theyuse little of the precious metals; iron, bronze, enamels, wood and lac,being the chief materials utilised in the decorative arts of Japanの読み方
Richard Glazier 「A Manual of Historic Ornament」

...A most exquisite kind of enamel called “Plique à Jour,” was used bythe Byzantines; this was composed of open filigree cloisons, filled withtranslucent enamels...   A most exquisite kind of enamel called “Plique à Jour,” was used bythe Byzantines; this was composed of open filigree cloisons, filled withtranslucent enamelsの読み方
Richard Glazier 「A Manual of Historic Ornament」

...These Champlevé enamels upon bronze have usually an opalescent or cloudyappearance caused by the fusion of the tin in the bronze alloy duringfiring...   These Champlevé enamels upon bronze have usually an opalescent or cloudyappearance caused by the fusion of the tin in the bronze alloy duringfiringの読み方
Richard Glazier 「A Manual of Historic Ornament」

...TheChamplevé enamels of have most beautiful lustrous and transparentblues, greens and reds laid on a pure gold ground...   TheChamplevé enamels of  have most beautiful lustrous and transparentblues, greens and reds laid on a pure gold groundの読み方
Richard Glazier 「A Manual of Historic Ornament」

...These Limogesenamels have a splendid technic, but they lack the charms of theluminous colour and judicious use of enamels of the early Champlevéperiod...   These Limogesenamels have a splendid technic, but they lack the charms of theluminous colour and judicious use of enamels of the early Champlevéperiodの読み方
Richard Glazier 「A Manual of Historic Ornament」

...The most renowned masters of the painted enamels of Limoges werePenicand, 1503, Courtois, 1510, Pierre Raymond, 1530-1570, and LeonardLimousin, 1532-1574...   The most renowned masters of the painted enamels of Limoges werePenicand, 1503, Courtois, 1510, Pierre Raymond, 1530-1570, and LeonardLimousin, 1532-1574の読み方
Richard Glazier 「A Manual of Historic Ornament」

...obtained some richness in thepainted enamels by the use of “Paillons” or pieces of metallic foilwhich were afterwards flooded with translucent enamel...   obtained some richness in thepainted enamels by the use of “Paillons” or pieces of metallic foilwhich were afterwards flooded with translucent enamelの読み方
Richard Glazier 「A Manual of Historic Ornament」

...The enamels, being permeated with sulphur and otherproducts from the coke, could never be made satisfactory, and the onlyway was to clean it all off...   The enamels, being permeated with sulphur and otherproducts from the coke, could never be made satisfactory, and the onlyway was to clean it all offの読み方
William N. Brown 「Handbook on Japanning: 2nd Edition」

...Many twelfth-century initials look like designsin metal-work placed on the panelled grounds ofcoloured enamels...   Many twelfth-century initials look like designsin metal-work placed on the panelled grounds ofcoloured enamelsの読み方
John W. Bradley 「Illuminated Manuscripts」

...Their sculptures, enamels, colour-scheme were ofanother bias...   Their sculptures, enamels, colour-scheme were ofanother biasの読み方
John W. Bradley 「Illuminated Manuscripts」

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