..., all in cloisonné work, with beautiful stones such as lapis lazuli, green felspar, and carnelian taking the place of coloured enamels...
L.W. King and H.R. Hall 「History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria In The Light Of Recent Discovery」
...Those in the tomb of Sennetmûwere decorated on one side with a large necklace, or collar, like thecollars found upon mummies, painted in very bright colours to simulatenatural flowers or enamels...
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」
...The early bronzes, enamels, porcelain and textile fabrics of China areindicative of the perfection and luxuriance of the decorative arts ofthat ancient Empire...
Richard Glazier 「A Manual of Historic Ornament」
...Having no jewellery, theyuse little of the precious metals; iron, bronze, enamels, wood and lac,being the chief materials utilised in the decorative arts of Japan...
Richard Glazier 「A Manual of Historic Ornament」
...A most exquisite kind of enamel called “Plique à Jour,” was used bythe Byzantines; this was composed of open filigree cloisons, filled withtranslucent enamels...
Richard Glazier 「A Manual of Historic Ornament」
...These Champlevé enamels upon bronze have usually an opalescent or cloudyappearance caused by the fusion of the tin in the bronze alloy duringfiring...
Richard Glazier 「A Manual of Historic Ornament」
...TheChamplevé enamels of have most beautiful lustrous and transparentblues, greens and reds laid on a pure gold ground...
Richard Glazier 「A Manual of Historic Ornament」
...These Limogesenamels have a splendid technic, but they lack the charms of theluminous colour and judicious use of enamels of the early Champlevéperiod...
Richard Glazier 「A Manual of Historic Ornament」
...The most renowned masters of the painted enamels of Limoges werePenicand, 1503, Courtois, 1510, Pierre Raymond, 1530-1570, and LeonardLimousin, 1532-1574...
Richard Glazier 「A Manual of Historic Ornament」
...obtained some richness in thepainted enamels by the use of “Paillons” or pieces of metallic foilwhich were afterwards flooded with translucent enamel...
Richard Glazier 「A Manual of Historic Ornament」
...The enamels, being permeated with sulphur and otherproducts from the coke, could never be made satisfactory, and the onlyway was to clean it all off...
William N. Brown 「Handbook on Japanning: 2nd Edition」
...Many twelfth-century initials look like designsin metal-work placed on the panelled grounds ofcoloured enamels...
John W. Bradley 「Illuminated Manuscripts」
...Their sculptures, enamels, colour-scheme were ofanother bias...
John W. Bradley 「Illuminated Manuscripts」
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