例文・使い方で印象づける「venice」の覚え方


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...[Footnote 2:This poem may have been inspired by the following lines of Alfredde Musset, describing his experience in Venice...   [Footnote 2:This poem may have been inspired by the following lines of Alfredde Musset, describing his experience in Veniceの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

... all in Venice alone:...    all in Venice alone:の読み方
William T. Hornaday 「Our Vanishing Wild Life」

...The edges may be still further held together by theapplication of Venice turpentine, melted so as to become firmly adherent, andcovered with a layer of sterilized cotton wool...   The edges may be still further held together by theapplication of Venice turpentine, melted so as to become firmly adherent, andcovered with a layer of sterilized cotton woolの読み方
U.S. Department of Agriculture 「Special Report on Diseases of Cattle」

...This law, together with its ultimate reason, is expressed inthe statement given in the "Stones of Venice," vol...   This law, together with its ultimate reason, is expressed inthe statement given in the Stones of Venice, volの読み方
John Ruskin 「Lectures on Architecture and Painting」

...The buildingis thus notably illustrative of the two feelings which were stated inthe "Stones of Venice," to be peculiarly characteristic of theRenaissance spirit, the Pride of State and Fear of Death...   The buildingis thus notably illustrative of the two feelings which were stated inthe Stones of Venice, to be peculiarly characteristic of theRenaissance spirit, the Pride of State and Fear of Deathの読み方
John Ruskin 「Lectures on Architecture and Painting」

...In 1570, Fra Giocondo, at Venice, published “The FiveBooks of Architecture,” by Andrea Palladio (1518-80)...   In 1570, Fra Giocondo, at Venice, published “The FiveBooks of Architecture,” by Andrea Palladio (1518-80)の読み方
Richard Glazier 「A Manual of Historic Ornament」

...Another treatiseupon architecture, by Serlio (1500-52), was also published at Venice in1537 and 1540...   Another treatiseupon architecture, by Serlio (1500-52), was also published at Venice in1537 and 1540の読み方
Richard Glazier 「A Manual of Historic Ornament」

...If Florence wasthe heir of Rome and its austere classicism, Venice was the heir ofConstantinople and its color-charm...   If Florence wasthe heir of Rome and its austere classicism, Venice was the heir ofConstantinople and its color-charmの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He taught there in Venice, was the master ofJacopo Bellini, and if not the teacher then the influencer of theVivarinis of Murano...   He taught there in Venice, was the master ofJacopo Bellini, and if not the teacher then the influencer of theVivarinis of Muranoの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Bartolommeo was the best of the group, and contended long time inrivalry with the Bellinis at Venice, but toward 1470 he fell away anddied comparatively forgotten...   Bartolommeo was the best of the group, and contended long time inrivalry with the Bellinis at Venice, but toward 1470 he fell away anddied comparatively forgottenの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...George Venice Acad...   George Venice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...—Jacobello del Fiore and Semitecolo, allattributions doubtful; Antonio Vivarini and JohannesAlemannus, together altar-pieces Venice Acad...   —Jacobello del Fiore and Semitecolo, allattributions doubtful; Antonio Vivarini and JohannesAlemannus, together altar-pieces Venice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...THE VENETIAN SCHOOL: It was at Venice and with the Venetian paintersof the sixteenth century that a new art-motive was finally and fullyadopted...   THE VENETIAN SCHOOL: It was at Venice and with the Venetian paintersof the sixteenth century that a new art-motive was finally and fullyadoptedの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...This has givenhis art a rather bad name, but judged by his best works in the DucalPalace and the Academy at Venice, he will not be found lacking...   This has givenhis art a rather bad name, but judged by his best works in the DucalPalace and the Academy at Venice, he will not be found lackingの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Rocco, Pesaro Madonna Frari Venice,Entombment Man with Glove Louvre, Bacchus Nat...   Rocco, Pesaro Madonna Frari Venice,Entombment Man with Glove Louvre, Bacchus Natの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...; Marconi, Descent Venice Acad...   ; Marconi, Descent Venice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...THE LATE VENETIANS: The Decadence at Venice, like the Renaissance,came later than at Florence, but after the death of Tintorettomannerisms and the imitation of the great men did away withoriginality...   THE LATE VENETIANS: The Decadence at Venice, like the Renaissance,came later than at Florence, but after the death of Tintorettomannerisms and the imitation of the great men did away withoriginalityの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Whether or not Dürerwent to Italy before his marriage in 1494,certain it is that he was in Venice, the home ofTitian, in 1506...   Whether or not Dürerwent to Italy before his marriage in 1494,certain it is that he was in Venice, the home ofTitian, in 1506の読み方
Dolores Bacon 「Pictures Every Child Should Know」

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