例文・使い方で印象づける「venice」の覚え方


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...The killers of doves, squirrels, blackbirds and robins belong in thesame class as the sparrow-and-linnet-killing Italians of Venice,Milan and Turin, and in that company we will leave them...   The killers of doves, squirrels, blackbirds and robins belong in thesame class as the sparrow-and-linnet-killing Italians of Venice,Milan and Turin, and in that company we will leave themの読み方
William T. Hornaday 「Our Vanishing Wild Life」

...The republic of Venice had been signally indebtedto his courage, but had not rewarded him...   The republic of Venice had been signally indebtedto his courage, but had not rewarded himの読み方
Edward Jesse 「Anecdotes of Dogs」

...Thus far he was verycourteously treated; and the lord of the feast pompously told himthat all the workmen in Venice had been half a year employed aboutthem...   Thus far he was verycourteously treated; and the lord of the feast pompously told himthat all the workmen in Venice had been half a year employed aboutthemの読み方
Edward Jesse 「Anecdotes of Dogs」

...That there is but one Venice in America is the verdictof all who have visited this charming sea-side resort...   That there is but one Venice in America is the verdictof all who have visited this charming sea-side resortの読み方
Harry Thom Payne 「Game Birds and Game Fishes of the Pacific Coast」

...This law, together with its ultimate reason, is expressed inthe statement given in the "Stones of Venice," vol...   This law, together with its ultimate reason, is expressed inthe statement given in the Stones of Venice, volの読み方
John Ruskin 「Lectures on Architecture and Painting」

...In 1570, Fra Giocondo, at Venice, published “The FiveBooks of Architecture,” by Andrea Palladio (1518-80)...   In 1570, Fra Giocondo, at Venice, published “The FiveBooks of Architecture,” by Andrea Palladio (1518-80)の読み方
Richard Glazier 「A Manual of Historic Ornament」

...Another treatiseupon architecture, by Serlio (1500-52), was also published at Venice in1537 and 1540...   Another treatiseupon architecture, by Serlio (1500-52), was also published at Venice in1537 and 1540の読み方
Richard Glazier 「A Manual of Historic Ornament」

...Mark’s at Venice, A...   Mark’s at Venice, Aの読み方
Richard Glazier 「A Manual of Historic Ornament」

..., Bergamo, Museo Correr Venice, Nat...   , Bergamo, Museo Correr Venice, Natの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...SCHOOLS OF VERONA AND VICENZA: Artistically Verona belonged with theVenetian provinces, because it was largely an echo of Venice except atthe very start...   SCHOOLS OF VERONA AND VICENZA: Artistically Verona belonged with theVenetian provinces, because it was largely an echo of Venice except atthe very startの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He was medallist and painter both, worked with Gentile daFabriano in the Ducal Palace at Venice and elsewhere, and his artseems to have an affinity with that of his companion...   He was medallist and painter both, worked with Gentile daFabriano in the Ducal Palace at Venice and elsewhere, and his artseems to have an affinity with that of his companionの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...By the disposition of her people Venice was not alearned or devout city...   By the disposition of her people Venice was not alearned or devout cityの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Some sayout of Venetian skies and waters, and, doubtless, these had somethingto do with the Venetian color-sense; but Venice in its color was alsoan example of the effect of commerce on art...   Some sayout of Venetian skies and waters, and, doubtless, these had somethingto do with the Venetian color-sense; but Venice in its color was alsoan example of the effect of commerce on artの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...It may be concludedwithout error that Venice derived her color-sense and much of herluxurious and material view of life from the East...   It may be concludedwithout error that Venice derived her color-sense and much of herluxurious and material view of life from the Eastの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Bartolommeo was the best of the group, and contended long time inrivalry with the Bellinis at Venice, but toward 1470 he fell away anddied comparatively forgotten...   Bartolommeo was the best of the group, and contended long time inrivalry with the Bellinis at Venice, but toward 1470 he fell away anddied comparatively forgottenの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...—Jacobello del Fiore and Semitecolo, allattributions doubtful; Antonio Vivarini and JohannesAlemannus, together altar-pieces Venice Acad...   —Jacobello del Fiore and Semitecolo, allattributions doubtful; Antonio Vivarini and JohannesAlemannus, together altar-pieces Venice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...THE VENETIAN SCHOOL: It was at Venice and with the Venetian paintersof the sixteenth century that a new art-motive was finally and fullyadopted...   THE VENETIAN SCHOOL: It was at Venice and with the Venetian paintersof the sixteenth century that a new art-motive was finally and fullyadoptedの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Sebastiano Ducal Palace Academy Venice, Pitti, Uffizi,Brera, Capitoline and Borghese Galleries Rome, Turin,Dresden, Vienna, Louvre, Nat...   Sebastiano Ducal Palace Academy Venice, Pitti, Uffizi,Brera, Capitoline and Borghese Galleries Rome, Turin,Dresden, Vienna, Louvre, Natの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Lorenzo Madonna Venice Acad...   Lorenzo Madonna Venice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...This took place in Central Italy after1540, in Venice after 1590...   This took place in Central Italy after1540, in Venice after 1590の読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...But the religious motive had passed out, thoughits subject was retained, and the pictorial motive had reached itsclimax at Venice...   But the religious motive had passed out, thoughits subject was retained, and the pictorial motive had reached itsclimax at Veniceの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...—Palma il Giovine, Ducal Palace Venice,Cassel, Dresden, Munich, Madrid, Naples, Vienna galleries;Padovanino, Marriage in Cana Kneeling Angel and other worksVenice Acad...   —Palma il Giovine, Ducal Palace Venice,Cassel, Dresden, Munich, Madrid, Naples, Vienna galleries;Padovanino, Marriage in Cana Kneeling Angel and other worksVenice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

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