例文・使い方で印象づける「venice」の覚え方


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...of Spain, and the Venetian Republic, against Selim, theGrand Turk, who was attacking Cyprus, then belonging to Venice...   of Spain, and the Venetian Republic, against Selim, theGrand Turk, who was attacking Cyprus, then belonging to Veniceの読み方
Miguel de Cervantes Saavedra 「The History of Don Quixote de la Mancha」

...In Venice, which was visited in October and November, during thefall migration, he found on sale in the markets, as food, thousandsof songbirds...   In Venice, which was visited in October and November, during thefall migration, he found on sale in the markets, as food, thousandsof songbirdsの読み方
William T. Hornaday 「Our Vanishing Wild Life」

... all in Venice alone:...    all in Venice alone:の読み方
William T. Hornaday 「Our Vanishing Wild Life」

..." Besides a varietyof game birds, he found quantities of the species mentioned above,seen in Venice, and also the following:...    Besides a varietyof game birds, he found quantities of the species mentioned above,seen in Venice, and also the following:の読み方
William T. Hornaday 「Our Vanishing Wild Life」

...The edges may be still further held together by theapplication of Venice turpentine, melted so as to become firmly adherent, andcovered with a layer of sterilized cotton wool...   The edges may be still further held together by theapplication of Venice turpentine, melted so as to become firmly adherent, andcovered with a layer of sterilized cotton woolの読み方
U.S. Department of Agriculture 「Special Report on Diseases of Cattle」

...,Carlo Rezzonico of Venice (1758-1769), was intrusted toCanova...   ,Carlo Rezzonico of Venice (1758-1769), was intrusted toCanovaの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...Mark'sat Venice...   Marksat Veniceの読み方
John Ruskin 「Lectures on Architecture and Painting」

...This law, together with its ultimate reason, is expressed inthe statement given in the "Stones of Venice," vol...   This law, together with its ultimate reason, is expressed inthe statement given in the Stones of Venice, volの読み方
John Ruskin 「Lectures on Architecture and Painting」

...Mark’s at Venice, A...   Mark’s at Venice, Aの読み方
Richard Glazier 「A Manual of Historic Ornament」

...Mark’s, Venice, whichwas made at Constantinople for the Doge Orseolo in 976 A...   Mark’s, Venice, whichwas made at Constantinople for the Doge Orseolo in 976 Aの読み方
Richard Glazier 「A Manual of Historic Ornament」

...175;Bartolomeo Coleone, at Venice, A...   175;Bartolomeo Coleone, at Venice, Aの読み方
Richard Glazier 「A Manual of Historic Ornament」

...Mosaics in the early churches of Rome,Ravenna, Naples, Venice, Constantinople...   Mosaics in the early churches of Rome,Ravenna, Naples, Venice, Constantinopleの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Itaffected the school of Venice in matters of drawing, besideinfluencing the Lombard and Veronese schools in their beginnings...   Itaffected the school of Venice in matters of drawing, besideinfluencing the Lombard and Veronese schools in their beginningsの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He taught there in Venice, was the master ofJacopo Bellini, and if not the teacher then the influencer of theVivarinis of Murano...   He taught there in Venice, was the master ofJacopo Bellini, and if not the teacher then the influencer of theVivarinis of Muranoの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...George Venice Acad...   George Venice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...THE VENETIAN SCHOOL: It was at Venice and with the Venetian paintersof the sixteenth century that a new art-motive was finally and fullyadopted...   THE VENETIAN SCHOOL: It was at Venice and with the Venetian paintersof the sixteenth century that a new art-motive was finally and fullyadoptedの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Rocco Ducal Palace Venice Acad...   Rocco Ducal Palace Venice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...But the religious motive had passed out, thoughits subject was retained, and the pictorial motive had reached itsclimax at Venice...   But the religious motive had passed out, thoughits subject was retained, and the pictorial motive had reached itsclimax at Veniceの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

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