例文・使い方で印象づける「venice」の覚え方


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...[Footnote 2:This poem may have been inspired by the following lines of Alfredde Musset, describing his experience in Venice...   [Footnote 2:This poem may have been inspired by the following lines of Alfredde Musset, describing his experience in Veniceの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...of Spain, and the Venetian Republic, against Selim, theGrand Turk, who was attacking Cyprus, then belonging to Venice...   of Spain, and the Venetian Republic, against Selim, theGrand Turk, who was attacking Cyprus, then belonging to Veniceの読み方
Miguel de Cervantes Saavedra 「The History of Don Quixote de la Mancha」

...Mark's of Venice, oruseless height admitted in order to increase the impressiveness, as innearly every noble building in the world...   Marks of Venice, oruseless height admitted in order to increase the impressiveness, as innearly every noble building in the worldの読み方
John Ruskin 「Lectures on Architecture and Painting」

...This law, together with its ultimate reason, is expressed inthe statement given in the "Stones of Venice," vol...   This law, together with its ultimate reason, is expressed inthe statement given in the Stones of Venice, volの読み方
John Ruskin 「Lectures on Architecture and Painting」

...Another treatiseupon architecture, by Serlio (1500-52), was also published at Venice in1537 and 1540...   Another treatiseupon architecture, by Serlio (1500-52), was also published at Venice in1537 and 1540の読み方
Richard Glazier 「A Manual of Historic Ornament」

...The tradition was carried on in Italy at Ravenna and Venice, where theOpus Miserum reached its culmination...   The tradition was carried on in Italy at Ravenna and Venice, where theOpus Miserum reached its culminationの読み方
Richard Glazier 「A Manual of Historic Ornament」

...175;Bartolomeo Coleone, at Venice, A...   175;Bartolomeo Coleone, at Venice, Aの読み方
Richard Glazier 「A Manual of Historic Ornament」

...He was medallist and painter both, worked with Gentile daFabriano in the Ducal Palace at Venice and elsewhere, and his artseems to have an affinity with that of his companion...   He was medallist and painter both, worked with Gentile daFabriano in the Ducal Palace at Venice and elsewhere, and his artseems to have an affinity with that of his companionの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Some sayout of Venetian skies and waters, and, doubtless, these had somethingto do with the Venetian color-sense; but Venice in its color was alsoan example of the effect of commerce on art...   Some sayout of Venetian skies and waters, and, doubtless, these had somethingto do with the Venetian color-sense; but Venice in its color was alsoan example of the effect of commerce on artの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...It was Easternornament in mosaics, stuffs, porcelains, variegated marbles, broughtby ship to Venice and located in S...   It was Easternornament in mosaics, stuffs, porcelains, variegated marbles, broughtby ship to Venice and located in Sの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He went beyond all his contemporariesin technical strength and color-harmony, and was in fact theepoch-making man of early Venice...   He went beyond all his contemporariesin technical strength and color-harmony, and was in fact theepoch-making man of early Veniceの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...George Venice Acad...   George Venice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...—Jacobello del Fiore and Semitecolo, allattributions doubtful; Antonio Vivarini and JohannesAlemannus, together altar-pieces Venice Acad...   —Jacobello del Fiore and Semitecolo, allattributions doubtful; Antonio Vivarini and JohannesAlemannus, together altar-pieces Venice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...THE VENETIAN SCHOOL: It was at Venice and with the Venetian paintersof the sixteenth century that a new art-motive was finally and fullyadopted...   THE VENETIAN SCHOOL: It was at Venice and with the Venetian paintersof the sixteenth century that a new art-motive was finally and fullyadoptedの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Rocco, Pesaro Madonna Frari Venice,Entombment Man with Glove Louvre, Bacchus Nat...   Rocco, Pesaro Madonna Frari Venice,Entombment Man with Glove Louvre, Bacchus Natの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...; Marconi, Descent Venice Acad...   ; Marconi, Descent Venice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

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