例文・使い方で印象づける「titian」の覚え方


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...The sixteenth century produced the four greatest Painters, that is tosay, managers of color, whom the world has seen; namely, Tintoret, PaulVeronese, Titian, and Correggio...   The sixteenth century produced the four greatest Painters, that is tosay, managers of color, whom the world has seen; namely, Tintoret, PaulVeronese, Titian, and Correggioの読み方
John Ruskin 「Lectures on Architecture and Painting」

...He knew all the methods andmediums of the time, and did much to establish oil-painting among theFlorentines, but he was never a painter like Titian, or even Correggioor Andrea del Sarto...   He knew all the methods andmediums of the time, and did much to establish oil-painting among theFlorentines, but he was never a painter like Titian, or even Correggioor Andrea del Sartoの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...The restfulness and easy strength of Titian were not characteristicsof his follower Tintoretto (1518-1592)...   The restfulness and easy strength of Titian were not characteristicsof his follower Tintoretto (1518-1592)の読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...As a brushman he was a superior man, but not equal to Titian...   As a brushman he was a superior man, but not equal to Titianの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...The Castilianschool may be said to have closed with these late men and with ClaudioCoello (1635?-1693), a painter with a style founded on Titian andRubens, whose best work was of extraordinary power...   The Castilianschool may be said to have closed with these late men and with ClaudioCoello (1635?-1693), a painter with a style founded on Titian andRubens, whose best work was of extraordinary powerの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...But when Titian saw that cupola, he said:"Reverse the cupola, fill it with gold, and eventhen that will not be its money's worth...   But when Titian saw that cupola, he said:Reverse the cupola, fill it with gold, and eventhen that will not be its moneys worthの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...He liked Angelo, Titian, and Rubens best...   He liked Angelo, Titian, and Rubens bestの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...As a young boy he wrote upon hisstudio wall: "The drawing of Michael Angelo,the colouring of Titian," and that was the endhe tried to reach...   As a young boy he wrote upon hisstudio wall: The drawing of Michael Angelo,the colouring of Titian, and that was the endhe tried to reachの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...After his few dayswith Titian, Tintoretto studied with Schiavoneand afterward set up a studio for himself...   After his few dayswith Titian, Tintoretto studied with Schiavoneand afterward set up a studio for himselfの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...This was an honour, but amid all his fameand the homage paid him, Titian had rememberedthe old home in the vale of Cadore...   This was an honour, but amid all his fameand the homage paid him, Titian had rememberedthe old home in the vale of Cadoreの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...The dukewanted Titian to paint them both, and so oncemore the great painter neglected his contractwith the council...   The dukewanted Titian to paint them both, and so oncemore the great painter neglected his contractwith the councilの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...The character in the face is onlystriking to persons who like candle-light effects better thansunshine; any head by Titian has twice the character, and seen bydaylight instead of gas...   The character in the face is onlystriking to persons who like candle-light effects better thansunshine; any head by Titian has twice the character, and seen bydaylight instead of gasの読み方
John Ruskin 「Lectures on Landscape」

...There is more real relation to the great schools of art,more fellowship with Bellini and Titian, in the humblest painter ofletters on village signboards than in men like these...   There is more real relation to the great schools of art,more fellowship with Bellini and Titian, in the humblest painter ofletters on village signboards than in men like theseの読み方
John Ruskin 「Lectures on Landscape」

...And when, having learnedthese things, it is joined to the school of colour, you have theperfect, though always, as I will show you, pensive, art of Titian andhis followers...   And when, having learnedthese things, it is joined to the school of colour, you have theperfect, though always, as I will show you, pensive, art of Titian andhis followersの読み方
John Ruskin 「Lectures on Art」

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