...Digitus: the terminal joint of the tarsus, bearing theclaws: a small appendage attached to the lacinia of the maxilla;rarely present and probably tactile...
John. B. Smith 「Explanation of Terms Used in Entomology」
...Palpus: a mouth feeler: tactile, usually jointedstructures borne by the maxillae (maxillary palpi) and labium(labial palpi)...
John. B. Smith 「Explanation of Terms Used in Entomology」
...In moving about, it is guided partly by the tactile and olfactorystimuli of objects on or beneath the ground surface which are potentialfood sources...
Henry S. Fitch 「Ecology of the Opossum on a Natural Area in Northeastern Kansas」
...The long, well-haired taildoubtless serves as an important tactile organ as well as a balance...
Charles T. Vorhies and Walter P. Taylor 「Life History of the Kangaroo Rat」
...These tactile or sensory particles contain thefinest sensory organs of the skin, the touch corpuscles...
Ernst Haeckel 「The Evolution of Man」
...We remember that torealise form we must give tactile values to retinalsensations...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...Our tactile imagination is put to play immediately...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...He aims at types which bothin face and figure are simple, large-boned, andmassive,—types, that is to say, which in actuallife would furnish the most powerful stimulusto the tactile imagination...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...Thegreat painter, then, is, above all, an artist witha great sense of tactile values and great skill inrendering them...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...In words already familiarto us, he extracts the significance of movements,just as, in rendering tactile values, the artistextracts the corporeal significance of objects...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...We remember how Giotto contrivedto render tactile values...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...I cannot refrain from mentioning stillanother masterpiece, this time not only ofmovement, but of tactile values and personalbeauty as well—Pollaiuolo’s “David” at Berlin...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...This fact is as closely dependenton the general conditions of realisingobjects as tactile values are on the psychologyof sight...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...If draperies are a hindrance to the conveyanceof tactile values, they make the perfectrendering of movement next to impossible...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
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