例文・使い方で印象づける「sitter」の覚え方


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...You know how a photographer finicks about and is dissatisfied with apose that seems all right to his sitter...   You know how a photographer finicks about and is dissatisfied with apose that seems all right to his sitterの読み方
John Buchan 「Mr. Standfast」

...She is a very close sitter, and whenshe has chosen a spot will seldom leave it, on account of its beingdiscovered by a human intruder...   She is a very close sitter, and whenshe has chosen a spot will seldom leave it, on account of its beingdiscovered by a human intruderの読み方
Robert Jennings 「Sheep, Swine, and Poultry」

...I put him into the proper position andtold him to lie still, and he proved a most patient sitter...   I put him into the proper position andtold him to lie still, and he proved a most patient sitterの読み方
Various 「Dog Stories from the "Spectator"」

...A simple, rather formal,attitude is usually chosen, and the sitter is drawn with searchinghonesty...   A simple, rather formal,attitude is usually chosen, and the sitter is drawn with searchinghonestyの読み方
Harold Speed 「The Practice and Science Of Drawing」

...Thedrawing of the Lady Audley, here reproduced, bears evidence of someof this subtle variation on what are called the facts, in the lefteye of the sitter...   Thedrawing of the Lady Audley, here reproduced, bears evidence of someof this subtle variation on what are called the facts, in the lefteye of the sitterの読み方
Harold Speed 「The Practice and Science Of Drawing」

...A pose is selectedthat makes a good design of line and colour—a goodpattern—and the character of the sitter is not allowed toobtrude or mar the symmetry of the whole considered as a beautifulpanel...   A pose is selectedthat makes a good design of line and colour—a goodpattern—and the character of the sitter is not allowed toobtrude or mar the symmetry of the whole considered as a beautifulpanelの読み方
Harold Speed 「The Practice and Science Of Drawing」

...The more intimate interest in thepersonal character of the sitter is here subordinated to theinterest of his public character and attitude of mind towards hisoffice...   The more intimate interest in thepersonal character of the sitter is here subordinated to theinterest of his public character and attitude of mind towards hisofficeの読み方
Harold Speed 「The Practice and Science Of Drawing」

...And further, the artist does not take whatever comes to hand inthe appearance of his sitter, but works to a thought-outarrangement of colour and form, to a design...   And further, the artist does not take whatever comes to hand inthe appearance of his sitter, but works to a thought-outarrangement of colour and form, to a designの読み方
Harold Speed 「The Practice and Science Of Drawing」

...Mierevelt(1567-1641) was one of the earliest, a prolific painter, fond of thearistocratic sitter, and indulging in a great deal of elegance in hisaccessories of dress and the like...   Mierevelt(1567-1641) was one of the earliest, a prolific painter, fond of thearistocratic sitter, and indulging in a great deal of elegance in hisaccessories of dress and the likeの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He was one of the first in American art-history to showskilful accuracy of the brush, a good knowledge of color, and someartistic sense of dignity and carriage in the sitter...   He was one of the first in American art-history to showskilful accuracy of the brush, a good knowledge of color, and someartistic sense of dignity and carriage in the sitterの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

... This, may be accomplished, in ameasure, by a choice of location or by having the glass of your windowstinged with blue; or a screen of thin blue paper may be interposedbetween the light and sitter...    This, may be accomplished, in ameasure, by a choice of location or by having the glass of your windowstinged with blue; or a screen of thin blue paper may be interposedbetween the light and sitterの読み方
Henry H. Snelling 「The History and Practice of the Art of Photography」

...A very pleasing effect is given to portraits, by introducing, behindthe sitter, an engraving or other picture--if a painting, avoid thosein which warm and glowing tints predominate...   A very pleasing effect is given to portraits, by introducing, behindthe sitter, an engraving or other picture--if a painting, avoid thosein which warm and glowing tints predominateの読み方
Henry H. Snelling 「The History and Practice of the Art of Photography」

...In coloring the heads of men it will be necessary to use the darkertints with more freedom, according to the complexion of the sitter...   In coloring the heads of men it will be necessary to use the darkertints with more freedom, according to the complexion of the sitterの読み方
Henry H. Snelling 「The History and Practice of the Art of Photography」

...It should be the study of every operator to notice the effect of thelights and shades while arranging the sitter, and at the same time be veryparticular to give ease in the position...   It should be the study of every operator to notice the effect of thelights and shades while arranging the sitter, and at the same time be veryparticular to give ease in the positionの読み方
Samuel D. Humphrey 「American Handbook of the Daguerrotype」

...Every Daguerreotypist is familiar with the fact that a motion of any bodybetween the camera and the sitter will cause a “blur...   Every Daguerreotypist is familiar with the fact that a motion of any bodybetween the camera and the sitter will cause a “blurの読み方
Samuel D. Humphrey 「American Handbook of the Daguerrotype」

...This is kept straight by meansof a wire frame, and it is to be moved in front of the lower part of thebody of the sitter during the time of exposure of the plate in the camera...   This is kept straight by meansof a wire frame, and it is to be moved in front of the lower part of thebody of the sitter during the time of exposure of the plate in the cameraの読み方
Samuel D. Humphrey 「American Handbook of the Daguerrotype」

...It must beplaced between the camera and the sitter, and at such a distance from thecamera as to allow such proportion of the body of the sitter be seen uponthe ground-glass as is desired...   It must beplaced between the camera and the sitter, and at such a distance from thecamera as to allow such proportion of the body of the sitter be seen uponthe ground-glass as is desiredの読み方
Samuel D. Humphrey 「American Handbook of the Daguerrotype」

...The picture would otherwise be spoiled, just as a portrait is ruined ifthe sitter does not remain quiet during the exposure...   The picture would otherwise be spoiled, just as a portrait is ruined ifthe sitter does not remain quiet during the exposureの読み方
Robert Stawell Ball 「The Story of the Heavens」

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