...Agostino Sienna, Annunciation Sienna Acad... 
John C. Van Dyke 「A Text-Book of the History of Painting」
...When carefully prepared, these pigments dry well inproportion to their depth, are marked by a subdued richness rather thanbrilliancy, and have the general habits of sienna earths and ochres...
George Field 「Field's Chromatography」
...Most noteworthy areaureolin, the deep and 'pale' cadmiums, lemon yellow, Mars yellow, themodern Naples yellow, the ochres, orient yellow, and raw sienna...
George Field 「Field's Chromatography」
...or Burnt Terra di Sienna, is calcined raw Sienna, of a richtransparent brown-orange or orange-russet colour, richer, deeper, andmore transparent than the raw earth...
George Field 「Field's Chromatography」
...For foregrounds, banks and roads, cattle and animals ingeneral, burnt Sienna is equally eligible, both alone and compounded...
George Field 「Field's Chromatography」
...Notwithstanding its merits, it is obsolete or nearlyso; doubtless because burnt Sienna mixed with burnt Roman ochresufficiently answers the purpose...
George Field 「Field's Chromatography」
...Burnt Sienna, cadmium orange, Mars orange,neutral orange, and orange or burnt Roman ochre, are all strictlypermanent...
George Field 「Field's Chromatography」
...A most beautifulolive brown, soft and rich, it is admirably adapted for autumnal foliagetints and the like, either alone or compounded with burnt Sienna orcadmium orange...
George Field 「Field's Chromatography」
...Possessing the natureand properties of burnt Sienna, it is transparent, permanent, and drieswell in oil...
George Field 「Field's Chromatography」
...A rich and strong brown is formed by the admixture of madderred, burnt Sienna, and sepia; a tint which may be modified by omittingthe sepia or the Sienna, or reducing the proportions of either...
George Field 「Field's Chromatography」
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