...Francesco Montalcino; Taddeo di Bartolo,Palazzo Pubblico Sienna, Duomo, S... 
John C. Van Dyke 「A Text-Book of the History of Painting」
...Sentiment had been prevalent enough all through CentralItalian painting during the Gothic age—more so at Sienna thanelsewhere...
John C. Van Dyke 「A Text-Book of the History of Painting」
...;Signorelli, frescos Cathedral Orvieto, Sistine Rome, PalazzoPetrucci Sienna, altar-pieces Arezzo, Cortona, Perugia,pictures Pitti, Uffizi, Berlin, Louvre, Nat...
John C. Van Dyke 「A Text-Book of the History of Painting」
...del Popolo,Appartamento Borgo Vatican, Bufolini Chapel Aracoeli Rome,Duomo Library Sienna, altar-pieces Perugia and SiennaAcads...
John C. Van Dyke 「A Text-Book of the History of Painting」
...; Peruzzi, fresco Fontegiuste Sienna, S...
John C. Van Dyke 「A Text-Book of the History of Painting」
...When carefully prepared, these pigments dry well inproportion to their depth, are marked by a subdued richness rather thanbrilliancy, and have the general habits of sienna earths and ochres...
George Field 「Field's Chromatography」
...With the addition of a little madderit forms a good gray; and with madder and burnt Sienna is useful fordark rocks, this combination, with raw Sienna, being also eligible forboats...
George Field 「Field's Chromatography」
...or Burnt Terra di Sienna, is calcined raw Sienna, of a richtransparent brown-orange or orange-russet colour, richer, deeper, andmore transparent than the raw earth...
George Field 「Field's Chromatography」
...In colour, it somewhat resembles burnt Sienna,enriched, reddened, brightened, and made more transparent, by admixturewith crimson lake...
George Field 「Field's Chromatography」
...Burnt Sienna, cadmium orange, Mars orange,neutral orange, and orange or burnt Roman ochre, are all strictlypermanent...
George Field 「Field's Chromatography」
...Modified by admixturewith burnt Sienna or gamboge, it yields a compound which, with theaddition of a small quantity of indigo, gives a warm though not verydurable green...
George Field 「Field's Chromatography」
...Amagnificent orange-russet brown of considerable transparency, it ismarked by great depth and richness, and will be found serviceable wherea powerful brown of the burnt Sienna class is required...
George Field 「Field's Chromatography」
...Possessing the natureand properties of burnt Sienna, it is transparent, permanent, and drieswell in oil...
George Field 「Field's Chromatography」
...Compounds of sepia and yellowochre, gamboge, raw Sienna, or cobalt and aureolin, are severallyuseful...
George Field 「Field's Chromatography」
...With raw Sienna, brown madder,Payne's gray, gamboge, and Roman ochre, this brown is useful...
George Field 「Field's Chromatography」
...Giving by itself a clearviolet shadow, it may be rendered more neutral by a small portion ofburnt Sienna, an admixture which, whether the gray or Siennapredominates, affords useful tints...
George Field 「Field's Chromatography」
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sneers Colton compromises
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