例文・使い方で印象づける「satyrs」の覚え方


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...—Gandharvâs and satyrs...   —Gandharvâs and satyrsの読み方
Angelo de Gubernatis 「Zoological Mythology, Volume I (of 2)」

...Arcadia is themost mountainous and wooded part of Greece, andtherefore, when the Olympians came down from heaven,celestial nymphs and satyrs came to people the forestsand fountains of Arcadia...   Arcadia is themost mountainous and wooded part of Greece, andtherefore, when the Olympians came down from heaven,celestial nymphs and satyrs came to people the forestsand fountains of Arcadiaの読み方
Angelo de Gubernatis 「Zoological Mythology, Volume I (of 2)」

...The Satyrs were depicted with pointed goat-ears,and sometimes with sprouting horns and short tails...   The Satyrs were depicted with pointed goat-ears,and sometimes with sprouting horns and short tailsの読み方
Sir James George Frazer 「The Golden Bough」

...On the whole, then, asMannhardt argues, the Pans, Satyrs, and Fauns perhaps belong to awidely diffused class of wood-spirits conceived in goat-form...   On the whole, then, asMannhardt argues, the Pans, Satyrs, and Fauns perhaps belong to awidely diffused class of wood-spirits conceived in goat-formの読み方
Sir James George Frazer 「The Golden Bough」

...Herein they resemble also anotherarchaic pedimental relief, found near the old temple of Dionysosat Athens, and representing just such a procession of satyrs andmænads as appears so often on vases...   Herein they resemble also anotherarchaic pedimental relief, found near the old temple of Dionysosat Athens, and representing just such a procession of satyrs andmænads as appears so often on vasesの読み方
Various 「The American Journal of Archaeology, 1893-1」

...The faces of the two satyrs andthe head of the thyrsus are also much mutilated...   The faces of the two satyrs andthe head of the thyrsus are also much mutilatedの読み方
Various 「The American Journal of Archaeology, 1893-1」

... These two pairs of satyrs serve to express the transition fromthe untroubled ease of Dionysos and his immediate attendants, tothe violence and confusion of the struggle...    These two pairs of satyrs serve to express the transition fromthe untroubled ease of Dionysos and his immediate attendants, tothe violence and confusion of the struggleの読み方
Various 「The American Journal of Archaeology, 1893-1」

...In other words, the diagonalism which we have noticed abovein the arrangement of young and old satyrs (vi a, v b, iv : iv¹,v¹ b, vi¹ a), is extended here to the groups themselves...   In other words, the diagonalism which we have noticed abovein the arrangement of young and old satyrs (vi a, v b, iv : iv¹,v¹ b, vi¹ a), is extended here to the groups themselvesの読み方
Various 「The American Journal of Archaeology, 1893-1」

...Though Rubens has shown great fancy in his Satyrs, Silenuses,and Fauns, yet they are not that distinct separate class of beings whichis carefully exhibited by the ancients and by Poussin...   Though Rubens has shown great fancy in his Satyrs, Silenuses,and Fauns, yet they are not that distinct separate class of beings whichis carefully exhibited by the ancients and by Poussinの読み方
Joshua Reynolds 「Seven Discourses on Art」

... The tragic dance, Emmelia, was solemn; whilst that in comedy, Cordax, was frivolous, and the siccinis, or dance of Satyrs, was often obscene...    The tragic dance, Emmelia, was solemn; whilst that in comedy, Cordax, was frivolous, and the siccinis, or dance of Satyrs, was often obsceneの読み方
Anonymous 「The Dance (by An Antiquary)」

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