...—Gandharvâs and satyrs...
Angelo de Gubernatis 「Zoological Mythology, Volume I (of 2)」
...Arcadia is themost mountainous and wooded part of Greece, andtherefore, when the Olympians came down from heaven,celestial nymphs and satyrs came to people the forestsand fountains of Arcadia...
Angelo de Gubernatis 「Zoological Mythology, Volume I (of 2)」
...We also saw theass closely connected with the satyrs with goat's or he-goat'sfeet...
Angelo de Gubernatis 「Zoological Mythology, Volume I (of 2)」
...Further, the Fauns, the Italian counterpartof the Greek Pans and Satyrs, are described as being half goats,with goat-feet and goat-horns...
Sir James George Frazer 「The Golden Bough」
...On the whole, then, asMannhardt argues, the Pans, Satyrs, and Fauns perhaps belong to awidely diffused class of wood-spirits conceived in goat-form...
Sir James George Frazer 「The Golden Bough」
...Herein they resemble also anotherarchaic pedimental relief, found near the old temple of Dionysosat Athens, and representing just such a procession of satyrs andmænads as appears so often on vases...
Various 「The American Journal of Archaeology, 1893-1」
...The faces of the two satyrs andthe head of the thyrsus are also much mutilated...
Various 「The American Journal of Archaeology, 1893-1」
...
These two pairs of satyrs serve to express the transition fromthe untroubled ease of Dionysos and his immediate attendants, tothe violence and confusion of the struggle...
Various 「The American Journal of Archaeology, 1893-1」
... This is also emphasized bythe symmetrical alternation of young and old satyrs, i...
Various 「The American Journal of Archaeology, 1893-1」
...In other words, the diagonalism which we have noticed abovein the arrangement of young and old satyrs (vi a, v b, iv : iv¹,v¹ b, vi¹ a), is extended here to the groups themselves...
Various 「The American Journal of Archaeology, 1893-1」
...Though Rubens has shown great fancy in his Satyrs, Silenuses,and Fauns, yet they are not that distinct separate class of beings whichis carefully exhibited by the ancients and by Poussin...
Joshua Reynolds 「Seven Discourses on Art」
... The tragic dance, Emmelia, was solemn; whilst that in comedy, Cordax, was frivolous, and the siccinis, or dance of Satyrs, was often obscene...
Anonymous 「The Dance (by An Antiquary)」
...There were enchanting angels, and there were huge fauns and satyrs...
Jennie Ellis Keysor 「Great Artists, Vol 1.」
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