...Gros was a more vacillating man, and by reason of forsaking theclassic subject for Napoleonic battle-pieces, he unconsciously led theway toward romanticism... 
John C. Van Dyke 「A Text-Book of the History of Painting」
...The verygist of romanticism was passion...
John C. Van Dyke 「A Text-Book of the History of Painting」
...The quarrel between classicism and romanticism lasted some years, withneither side victorious...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Fifteen years after the starting of romanticism the movement hadmaterially subsided...
John C. Van Dyke 「A Text-Book of the History of Painting」
... theemotional impulse springing from romanticism combined with the studyof the old Dutch landscapists...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Something also of German romanticism was its inspiration...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Gautier was nevermore definitely the exponent of romanticism than in saying "I am a manfor whom the visible world exists...
W. C. Brownell 「French Art」
...Ary Scheffer was aneloquent partisan of romanticism, yet his "Dante and Beatrice" and his"Temptation of Christ" are admirable only from the academic point ofview...
W. C. Brownell 「French Art」
...Gérôme, forexample, feels the exhilaration of the free air of romanticism fanninghis enthusiasm...
W. C. Brownell 「French Art」
...Had Regnault lived, he would have more adequately—or should I say moreplausibly?—marked the transition from romanticism to realism...
W. C. Brownell 「French Art」
...But for the fondness for style integral in theFrench mind and character, it would perceive the contradiction betweenthis romanticism and any canons except such as are purely intuitive andindefinable...
W. C. Brownell 「French Art」
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