例文・使い方で印象づける「raphael」の覚え方


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...Contemporary with Michel Angelo was Raphael (1483-1520), who displayedthe highest capacity for grace and refinement in painting...   Contemporary with Michel Angelo was Raphael (1483-1520), who displayedthe highest capacity for grace and refinement in paintingの読み方
Richard Glazier 「A Manual of Historic Ornament」

...The quantities are not placed in reposeful symmetryabout the canvas, as was the case in the Raphael, but are thrownoff apparently haphazard from lines leading the eye round thepicture...   The quantities are not placed in reposeful symmetryabout the canvas, as was the case in the Raphael, but are thrownoff apparently haphazard from lines leading the eye round thepictureの読み方
Harold Speed 「The Practice and Science Of Drawing」

...Naturally he was influenced somewhat by the great ones abouthim, learning perspective from Raphael, grandeur from Michael Angelo,and contours from Leonardo da Vinci...   Naturally he was influenced somewhat by the great ones abouthim, learning perspective from Raphael, grandeur from Michael Angelo,and contours from Leonardo da Vinciの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...In subject Raphael was religious and mythological, but he was imbuedwith neither of these so far as the initial spirit was concerned...   In subject Raphael was religious and mythological, but he was imbuedwith neither of these so far as the initial spirit was concernedの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...1520-1540) and Cesare daSesto (1477-1523?) were also of the Milanese school, the latterafterward falling under the Raphael influence...   1520-1540) and Cesare daSesto (1477-1523?) were also of the Milanese school, the latterafterward falling under the Raphael influenceの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He was a friend of Raphael, and hisportrait appears beside Raphael's in the latter painter's celebratedSchool of Athens...   He was a friend of Raphael, and hisportrait appears beside Raphaels in the latter painters celebratedSchool of Athensの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Correggio's immediate pupils and followers, like those of Raphael andAndrea del Sarto, did him small honor...   Correggios immediate pupils and followers, like those of Raphael andAndrea del Sarto, did him small honorの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...In pure intellectual thought he was not sostrong as Raphael...   In pure intellectual thought he was not sostrong as Raphaelの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...These men are known inart history as the Mannerists, and the men whose works they imitatedwere chiefly Raphael, Michael Angelo, and Correggio...   These men are known inart history as the Mannerists, and the men whose works they imitatedwere chiefly Raphael, Michael Angelo, and Correggioの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Baroccio (1528-1612), though classed among the Mannerists as animitator of Correggio and Raphael, was really one of the strong men ofthe late times...   Baroccio (1528-1612), though classed among the Mannerists as animitator of Correggio and Raphael, was really one of the strong men ofthe late timesの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Dürer did not paint great frescoes upon wallsas did Raphael, Michael Angelo, and all greatItalian artists; but instead he painted on wood,canvas, and in oils...   Dürer did not paint great frescoes upon wallsas did Raphael, Michael Angelo, and all greatItalian artists; but instead he painted on wood,canvas, and in oilsの読み方
Dolores Bacon 「Pictures Every Child Should Know」

..."Let him become my pupil," said Perugino,when Raphael was brought to him and some ofhis work was exhibited; "soon he will be mymaster...   Let him become my pupil, said Perugino,when Raphael was brought to him and some ofhis work was exhibited; soon he will be mymasterの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...Before Raphael was twenty-one, he had lefthis master's studio and had gone into thesplendid world of Rome, where Angelo wasstraining at his bonds...   Before Raphael was twenty-one, he had lefthis masters studio and had gone into thesplendid world of Rome, where Angelo wasstraining at his bondsの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...When Raphael appeared, his bent knee, his"chestnut locks falling upon his shoulders,the pope exclaimed: ' He is an innocentangel...   When Raphael appeared, his bent knee, hischestnut locks falling upon his shoulders,the pope exclaimed:  He is an innocentangelの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...Pope Julius had summoned Raphael for aspecial reason...   Pope Julius had summoned Raphael for aspecial reasonの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...His graceful and harmonious line recalls thehappiest moments in the history of plastic art, and he challengescomparison with a facile genius like Raphael...   His graceful and harmonious line recalls thehappiest moments in the history of plastic art, and he challengescomparison with a facile genius like Raphaelの読み方
Raphael Petrucci Frances Seaver 「Chinese Painters」

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