...Contemporary with Michel Angelo was Raphael (1483-1520), who displayedthe highest capacity for grace and refinement in painting...
Richard Glazier 「A Manual of Historic Ornament」
...The quantities are not placed in reposeful symmetryabout the canvas, as was the case in the Raphael, but are thrownoff apparently haphazard from lines leading the eye round thepicture...
Harold Speed 「The Practice and Science Of Drawing」
...Naturally he was influenced somewhat by the great ones abouthim, learning perspective from Raphael, grandeur from Michael Angelo,and contours from Leonardo da Vinci...
John C. Van Dyke 「A Text-Book of the History of Painting」
...In subject Raphael was religious and mythological, but he was imbuedwith neither of these so far as the initial spirit was concerned...
John C. Van Dyke 「A Text-Book of the History of Painting」
...1520-1540) and Cesare daSesto (1477-1523?) were also of the Milanese school, the latterafterward falling under the Raphael influence...
John C. Van Dyke 「A Text-Book of the History of Painting」
...He was a friend of Raphael, and hisportrait appears beside Raphael's in the latter painter's celebratedSchool of Athens...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Correggio's immediate pupils and followers, like those of Raphael andAndrea del Sarto, did him small honor...
John C. Van Dyke 「A Text-Book of the History of Painting」
...In pure intellectual thought he was not sostrong as Raphael...
John C. Van Dyke 「A Text-Book of the History of Painting」
...These men are known inart history as the Mannerists, and the men whose works they imitatedwere chiefly Raphael, Michael Angelo, and Correggio...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Baroccio (1528-1612), though classed among the Mannerists as animitator of Correggio and Raphael, was really one of the strong men ofthe late times...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Dürer did not paint great frescoes upon wallsas did Raphael, Michael Angelo, and all greatItalian artists; but instead he painted on wood,canvas, and in oils...
Dolores Bacon 「Pictures Every Child Should Know」
..."Let him become my pupil," said Perugino,when Raphael was brought to him and some ofhis work was exhibited; "soon he will be mymaster...
Dolores Bacon 「Pictures Every Child Should Know」
...Before Raphael was twenty-one, he had lefthis master's studio and had gone into thesplendid world of Rome, where Angelo wasstraining at his bonds...
Dolores Bacon 「Pictures Every Child Should Know」
...When Raphael appeared, his bent knee, his"chestnut locks falling upon his shoulders,the pope exclaimed: ' He is an innocentangel...
Dolores Bacon 「Pictures Every Child Should Know」
...Pope Julius had summoned Raphael for aspecial reason...
Dolores Bacon 「Pictures Every Child Should Know」
...His graceful and harmonious line recalls thehappiest moments in the history of plastic art, and he challengescomparison with a facile genius like Raphael...
Raphael Petrucci Frances Seaver 「Chinese Painters」
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