例文・使い方で印象づける「raphael」の覚え方


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...And, as proof of the studies of this class whichthe masters have made, we may cite Raphael, Michelangelo,and, above all, Leonardo da Vinci; and, of themoderns, Géricault...   And, as proof of the studies of this class whichthe masters have made, we may cite Raphael, Michelangelo,and, above all, Leonardo da Vinci; and, of themoderns, Géricaultの読み方
Édouard Cuyer 「Artistic Anatomy of Animals」

...She takes Raphael by theskirt, after bringing the puppies to himone by one...   She takes Raphael by theskirt, after bringing the puppies to himone by oneの読み方
Major Gambier-Parry 「'Murphy'」

...Prophets and sibyls appear also in Renaissancemonuments; they were modelled by della Porta in the SantaCasa at Loretto, painted by Michelangelo in the Sistinechapel, by Raphael in S...   Prophets and sibyls appear also in Renaissancemonuments; they were modelled by della Porta in the SantaCasa at Loretto, painted by Michelangelo in the Sistinechapel, by Raphael in Sの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...In subject Raphael was religious and mythological, but he was imbuedwith neither of these so far as the initial spirit was concerned...   In subject Raphael was religious and mythological, but he was imbuedwith neither of these so far as the initial spirit was concernedの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...LEONARDO DA VINCI AND THE MILANESE: The third person in the greatFlorentine trinity of painters was Leonardo da Vinci (1452-1519), theother two being Michael Angelo and Raphael...   LEONARDO DA VINCI AND THE MILANESE: The third person in the greatFlorentine trinity of painters was Leonardo da Vinci (1452-1519), theother two being Michael Angelo and Raphaelの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He was a friend of Raphael, and hisportrait appears beside Raphael's in the latter painter's celebratedSchool of Athens...   He was a friend of Raphael, and hisportrait appears beside Raphaels in the latter painters celebratedSchool of Athensの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Theinfluence of Raphael was great throughout Central Italy, and theFerrarese and Bolognese felt it, but not to the extinction of theirnative thought and methods...   Theinfluence of Raphael was great throughout Central Italy, and theFerrarese and Bolognese felt it, but not to the extinction of theirnative thought and methodsの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He approved of nothing and of nobody--despisingeven Raphael, the gentle and lovingman whom the pleasure-crazed people of Romepaused to smile upon and love...   He approved of nothing and of nobody--despisingeven Raphael, the gentle and lovingman whom the pleasure-crazed people of Romepaused to smile upon and loveの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...Dürer did not paint great frescoes upon wallsas did Raphael, Michael Angelo, and all greatItalian artists; but instead he painted on wood,canvas, and in oils...   Dürer did not paint great frescoes upon wallsas did Raphael, Michael Angelo, and all greatItalian artists; but instead he painted on wood,canvas, and in oilsの読み方
Dolores Bacon 「Pictures Every Child Should Know」

..."Let him become my pupil," said Perugino,when Raphael was brought to him and some ofhis work was exhibited; "soon he will be mymaster...   Let him become my pupil, said Perugino,when Raphael was brought to him and some ofhis work was exhibited; soon he will be mymasterの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...Trinita at Citta di Castello, and Raphael undertookit, painting the "Trinity," on one canvasand the "Creation of Man" on another...   Trinita at Citta di Castello, and Raphael undertookit, painting the Trinity, on one canvasand the Creation of Man on anotherの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...Before Raphael was twenty-one, he had lefthis master's studio and had gone into thesplendid world of Rome, where Angelo wasstraining at his bonds...   Before Raphael was twenty-one, he had lefthis masters studio and had gone into thesplendid world of Rome, where Angelo wasstraining at his bondsの読み方
Dolores Bacon 「Pictures Every Child Should Know」

..."Giulio Borghesi thought of Michael Angelofor this valuation, and begged him to go tothe church and estimate the figures of Raphael...   Giulio Borghesi thought of Michael Angelofor this valuation, and begged him to go tothe church and estimate the figures of Raphaelの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...The pope decreed that if the excavators failedto acquaint Raphael with every stone andtablet that should he unearthed, they shouldbe fined from one to three hundred gold crowns...   The pope decreed that if the excavators failedto acquaint Raphael with every stone andtablet that should he unearthed, they shouldbe fined from one to three hundred gold crownsの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...Althoughnot so rich perhaps as Raphael, Velasquezlived and died in plenty, while Murillo, theartist of the Church of Rome, was a poverty-strickenman...   Althoughnot so rich perhaps as Raphael, Velasquezlived and died in plenty, while Murillo, theartist of the Church of Rome, was a poverty-strickenmanの読み方
Dolores Bacon 「Pictures Every Child Should Know」

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