...A painter notlong ago thus defined his own art: “The art of painting is the art ofimitating solid objects upon a flat surface by means of pigments... 
Jane Ellen Harrison 「Ancient Art and Ritual」
...They are oftenused to support the uprights of altars when they are erected, and Ihave seen priests grind pigments in the depressions...
Jesse Walter Fewkes 「Archeological Expedition to Arizona in 1895」
...The inner surface of some ofthe bowls is stained with the pigments which they had formerly contained,and it was not uncommon to find several small paint potsdeposited in a single grave...
Jesse Walter Fewkes 「Archeological Expedition to Arizona in 1895」
...Turner is well representedin the National Gallery, though his oils have sufferedthrough time and the use of fugitive pigments...
John C. Van Dyke 「A Text-Book of the History of Painting」
...The preparation of pigments for this purposeconsists in bringing them to a due state of fineness by grinding themon a stone with turpentine...
William N. Brown 「Handbook on Japanning: 2nd Edition」
...This is one of the pigments for blacklacquer, but does not give a brilliant colour, therefore it is betterto prepare the black lacquer by adding iron powder or some compound ofiron to the lacquer...
William N. Brown 「Handbook on Japanning: 2nd Edition」
...Carbon, in one form or another, is the base of all black pigments...
William N. Brown 「Handbook on Japanning: 2nd Edition」
...That there is no absolute but only relative durability of colour may beproved from the most celebrated pigments...
George Field 「Field's Chromatography」
...Hadthis been the case, the artist need not have looked farther for thefurnishing of his palette than to a supply of well-burnt and levigatedenamel pigments...
George Field 「Field's Chromatography」
...It is thus that the best pigments havesuffered in reputation under the injudicious processes of the painter;although, owing to a desultory practice, the effects and results havenot been uniform...
George Field 「Field's Chromatography」
...Original pigments, that is, such as are notmade up of two or more colours, are purer in hue and generally moredurable than those compounded...
George Field 「Field's Chromatography」
...The yellow andorange chromates of lead, for instance, withstanding as they do theaction of the sunbeam, become by time, foul air, and the influence ofother pigments, inferior to the ochres...
George Field 「Field's Chromatography」
...It may befairly assumed that the painter will be assisted in his task by theprogress of chemical science, which will doubtless add from time to timeto the list of stable pigments...
George Field 「Field's Chromatography」
...The more crowded the palette is withreliable pigments, the more likely are the worthless to be pushed fromtheir places...
George Field 「Field's Chromatography」
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