...In every other direction you will see the apparently endlesswalls of mangrove, unvarying in colour, unvarying in form, unvaryingin height, save from perspective... 
Mary H. Kingsley 「Travels in West Africa」
...On the plate witheach working drawing is a good perspective sketch of the completedobject...
Albert F. Siepert 「Bird Houses Boys Can Build」
...He has, therefore, beenreduced to adopt certain more or less ingenious contrivances, in order tomake up for an almost complete absence of perspective...
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」
...at Medinet Habû make an effort, which is almost successful, topresent themselves in perspective...
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」
...The modelling isfiner; the figures are more numerous and better grouped; the relief ishigher; the effects of perspective are more carefully worked out...
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」
...As a composition, wherein a better display of grouping andaerial perspective is evinced, the splendid window in St...
Matthew Holbeche Bloxam 「The Principles of Gothic Ecclesiastical Architecture, Elucidated by Question and Answer, 4th ed.」
...There are many other points in the Cathedral which affordattractive scenes as shewn in the effects of light and shade, theintersections of arches, perspective, &c...
Anonymous 「Ely Cathedral」
...When, as in the time of Titian, the art of the West haddiscovered light and shade, linear perspective, aerial perspective,&c...
Harold Speed 「The Practice and Science Of Drawing」
...The color was arbitrary,not natural, and there was little perspective, light-and-shade, orrelief...
John C. Van Dyke 「A Text-Book of the History of Painting」
...There was little perspective or background, and thefigures in panels were separated by vines, leaves, or other ornamentaldivision lines...
John C. Van Dyke 「A Text-Book of the History of Painting」
...He knew drawing, perspective, atmosphere, light-and-shade in a waythat rather foreshadowed Leonardo da Vinci...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Naturally he was influenced somewhat by the great ones abouthim, learning perspective from Raphael, grandeur from Michael Angelo,and contours from Leonardo da Vinci...
John C. Van Dyke 「A Text-Book of the History of Painting」
...He himself was a purelandscape-painter, excelling in light and aërial perspective, but notremarkable in color...
John C. Van Dyke 「A Text-Book of the History of Painting」
...The lack of aërial perspective and shadowmasses gave his work a queer look, and he was never much of abrushman...
John C. Van Dyke 「A Text-Book of the History of Painting」
...However, William was tolearn perspective, and even to be made masterof that branch of art in the Academy itself...
Dolores Bacon 「Pictures Every Child Should Know」
...No doubt the French illuminators of the thirteenthand fourteenth centuries drew from thesesources both their perspective and their architecturalcolouring...
John W. Bradley 「Illuminated Manuscripts」
...But whoever would dream thatbecause a picture, painted in due perspective andproper light and shade, was to be shut up in abook that the figures represented in relief wouldactually be crushed...
John W. Bradley 「Illuminated Manuscripts」
...This errorarises from the fact that we have confused one system of perspective withperspective as a whole...
Raphael Petrucci Frances Seaver 「Chinese Painters」
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