...But the aspect of Kerfol suggested something more—a perspective of stern and cruel memories stretching away, like its own grey avenues, into a blur of darkness... 
Edith Wharton 「Kerfol」
..., of Stuttgart and, if so, would place the subject in a new perspective...
Henny Kindermann Agnes Blake 「Lola」
...In addition to the working drawings, there isa perspective sketch of each article completed...
Albert F. Siepert 「Bird Houses Boys Can Build」
...None in my memories comes up to the first, magnified in its delights and mortifications by the marvelous perspective of the years...
J. Henri Fabre Alexander Teixeira de Mattos 「The Life of the Fly」
...Very seldom do we meet with figures treated according to our ownrules of perspective...
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」
...The modelling isfiner; the figures are more numerous and better grouped; the relief ishigher; the effects of perspective are more carefully worked out...
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」
...Representations of architectural forms,such as columns and entablatures, are often rendered in perspective uponthe painted walls...
Richard Glazier 「A Manual of Historic Ornament」
...There wasno perspective...
Elise Whitlock Rose 「Cathedrals and Cloisters of the South of France, Volume 1」
...Before perspective was introduced, each individualobject in a picture was drawn with a separate centre of visionfixed on each object in turn...
Harold Speed 「The Practice and Science Of Drawing」
...What perspective did was to insistthat all objects in a picture should be drawn in relation to onefixed centre of vision...
Harold Speed 「The Practice and Science Of Drawing」
...There was also more feeling for perspective and space, as shown insuch objects as water and in the mountain landscapes of the latebas-reliefs; but, in the main, there was no advance upon Egypt...
John C. Van Dyke 「A Text-Book of the History of Painting」
...There was little perspective or background, and thefigures in panels were separated by vines, leaves, or other ornamentaldivision lines...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Oriental ornamentation, gold embossing, rich colorwere doing away with form, perspective, light-and-shade, andbackground...
John C. Van Dyke 「A Text-Book of the History of Painting」
...They turned to the earth not only tostudy form and feature, but to learn perspective, light, shadow,color—in short, the technical features of art...
John C. Van Dyke 「A Text-Book of the History of Painting」
...In color hewas subdued, and in perspective quite cunning at times...
John C. Van Dyke 「A Text-Book of the History of Painting」
...The lack of aërial perspective and shadowmasses gave his work a queer look, and he was never much of abrushman...
John C. Van Dyke 「A Text-Book of the History of Painting」
..."Come here and sit in my place," saidChantry, "and see the perspective you canget...
Dolores Bacon 「Pictures Every Child Should Know」
ランダム例文：
contentions Cordillera Nürnberg
便利！手書き漢字入力検索