例文・使い方で印象づける「painters」の覚え方
スポンサーリンク...The painters weretrue cave dwellers, but the sculptors lived in large communities onthe stony hills, which they marked with their carvings... 
W.E.B. Du Bois 「The Negro」
...We have next to ask what the poets, painters, and monks have done...
John Ruskin 「Love's Meinie」
...It would almost seem as if modern artificers and painters had lost the skill of their forefathers of one or two hundred years ago...
Sidney L. Gulick 「Evolution Of The Japanese, Social And Psychic」
...The political and religious reaction whichfollowed this reign arrested the evolution of art, and condemned sculptorsand painters to return to the observance of traditional rules...
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」
... Compare with this chapter, Modern Painters, vol...
John Ruskin 「The Poetry of Architecture」
... Compare Modern Painters, vol...
John Ruskin 「The Poetry of Architecture」
... [Compare Modern Painters, vol...
John Ruskin 「The Poetry of Architecture」
...And yet they are the only truehistorical painters, and the only men who will produce any effect ontheir own generation, or on any other...
John Ruskin 「Lectures on Architecture and Painting」
...Here came the Renaissance, and Vence had eager, if not famoussculptors, painters, and organ-builders, and a family of artists whomeven the dilettante Francis I deigned to patronise...
Elise Whitlock Rose 「Cathedrals and Cloisters of the South of France, Volume 1」
... Modern Painters, vol...
Dugald Butler and Herbert Story 「Scottish Cathedrals and Abbeys」
...Or take two painters both equally gifted in the powerof expressing their visual perceptions, and put them before thescene to paint it...
Harold Speed 「The Practice and Science Of Drawing」
...And thisis how it happens that painters who have gloried in rich detailshave always painted small pictures, and painters who have preferredlarger truths pictures of bigger dimensions...
Harold Speed 「The Practice and Science Of Drawing」
...In the first place there are the trees of the earlyItalian painters, three examples of which are illustrated on page197 [Transcribers Note: ]...
Harold Speed 「The Practice and Science Of Drawing」
...That is how it comesabout that painters like Titian, who loved a warm, glowing, goldencolouring, so often had to put a mass of the coldest blue in theirpictures...
Harold Speed 「The Practice and Science Of Drawing」
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