...” So the “secretary,” not only gave him the plots of comedies and novels, but also detailed the argument of Schopenhauer or of Nietzsche ... 
Vicente Blasco Ibanez Charlotte Brewster Jordan 「The Four Horsemen of the Apocalypse」
...Culture, according to Nietzsche, was “unity of style in all the manifestations of life...
Vicente Blasco Ibanez Charlotte Brewster Jordan 「The Four Horsemen of the Apocalypse」
... “You know,” continued Argensola, “that in quarrelling with Wagner about the excess of Germanism in his art, Nietzsche proclaimed the necessity of mediterraneanizing music...
Vicente Blasco Ibanez Charlotte Brewster Jordan 「The Four Horsemen of the Apocalypse」
...Besides, Nietzsche was a poet, completely demented at his death, and was no authority among the University sages...
Vicente Blasco Ibanez Charlotte Brewster Jordan 「The Four Horsemen of the Apocalypse」
... She also found opportunity to acquaint herselfwith the newest literature of Europe: Hauptmann, Nietzsche, Ibsen,Zola, Thomas Hardy, and other artist rebels were read with greatenthusiasm...
Emma Goldman 「Anarchism and Other Essays」
... Friedrich Nietzsche, for instance, is decried as ahater of the weak because he believed in the UEBERMENSCH...
Emma Goldman 「Anarchism and Other Essays」
...Nietzsche's memorable maxim, "When you go to woman, take the whipalong," is considered very brutal, yet Nietzsche expressed in onesentence the attitude of woman towards her gods...
Emma Goldman 「Anarchism and Other Essays」
..."Concerning great things," said Nietzsche, "one should either besilent, or one should speak loftily:—loftily, that is to say,cynically and innocently...
Anthony M. Ludovici 「Nietzsche and Art」
...People are mistaken if they suppose that Nietzsche, in attackingWagner as he did, was prompted by any personal animosity or otherconsiderations foreign to the question of music...
Anthony M. Ludovici 「Nietzsche and Art」
...In Wagner, Nietzschesaw a Romanticist of the strongest possible type, and he was opposedto the Romantic School of Music, because of its indifference to form...
Anthony M. Ludovici 「Nietzsche and Art」
...And now, what are the causes of this depression and this madness inArt? For Nietzsche was not alone in recognizing it...
Anthony M. Ludovici 「Nietzsche and Art」
..."Even the Reformation," says Nietzsche, "was a movement for individualliberty; 'Every one his own priest' is really no more than a formulafor libertinage...
Anthony M. Ludovici 「Nietzsche and Art」
...In maintainingthis, Nietzsche not only has Goethe and many lesser men on his side,but he has also the history of Art in general...
Anthony M. Ludovici 「Nietzsche and Art」
...Let it therefore suffice, forthe present, simply to recognize the fact that Nietzsche did take upthis attitude, and leave the more exhaustive discussion of it to thenext part of this lecture...
Anthony M. Ludovici 「Nietzsche and Art」
...I have shown you that Nietzsche explains pleasure, æsthetically, asthe appropriation of the world by man's Will to Power...
Anthony M. Ludovici 「Nietzsche and Art」
...With Nietzsche I can but extol theyea-saying of this type to the passions, to beauty, to health, infact to life...
Anthony M. Ludovici 「Nietzsche and Art」
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