...Carbolic acid, however weak, must not be usedon the thin parts of the skin of small mammals or birds, as itdries and shrivels them up so quickly as to seriously interferewith subsequent modelling... 
Montagu Browne 「Practical Taxidermy」
...To excel in mounting animals the arts of drawingand modelling from living examples must be cultivated; theamateur taxidermist thus gains the requisite knowledge to helphim in his art...
Montagu Browne 「Practical Taxidermy」
...The last stage is the reproduction, by modelling in clay,etc...
Montagu Browne 「Practical Taxidermy」
...The fore and hind limbs, especially the latter, require verycareful modelling...
Montagu Browne 「Practical Taxidermy」
...Finally, sew up, and ifyour modelling is correct all the remainder must of necessity becorrect also...
Montagu Browne 「Practical Taxidermy」
...I would suggestdipping the model (when dry) in melted wax to give a surface forcolouring, or modelling it in paper...
Montagu Browne 「Practical Taxidermy」
...The dignity and reserve of the Parthenon frieze is herereplaced by activity and energy of line and an exuberance of modelling...
Richard Glazier 「A Manual of Historic Ornament」
...A dignity of conception and unity of composition werehere combined with skilful modelling of relief work, and fine colouringof blue, turquoise and yellow...
Richard Glazier 「A Manual of Historic Ornament」
...In caseswhere the correction of intricate modelling is desired and where itwould be very difficult to alter a part accurately by a deft strokeof the brush, this method is useful to employ...
Harold Speed 「The Practice and Science Of Drawing」
...Good modelling is full of these planes subtlyfused together...
Harold Speed 「The Practice and Science Of Drawing」
..." The surface of a sphere is the surface withthe least character, like the curve of a circle, and the one mostto be avoided in good modelling...
Harold Speed 「The Practice and Science Of Drawing」
...Compared withGreek work it lacks that subtle variety in the modelling that givesvitality...
Harold Speed 「The Practice and Science Of Drawing」
...And this vitalitydepends, I think it will be found, on the greater amount oflife-giving variety in the surfaces of the modelling...
Harold Speed 「The Practice and Science Of Drawing」
...Neither should the modelling of the sphere ever occur in your work,the dullest of all curved surfaces...
Harold Speed 「The Practice and Science Of Drawing」
...Butwhile studying the gradations of tone that express form and givethe modelling, you should never neglect to keep the mind fixed uponthe relation the part you are painting bears to the whole picture...
Harold Speed 「The Practice and Science Of Drawing」
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implication character growling
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