...Putty sometimes greases light-coloured skins around the eyes;it will be well, therefore, to insert in its stead a little"pipe" or modelling clay worked up stiff... 
Montagu Browne 「Practical Taxidermy」
..., the modelling ofthe head and limbs with a medium of an unyielding nature...
Montagu Browne 「Practical Taxidermy」
...I will now proceed to demonstrate how the learner may workhimself up to a respectable proficiency in modelling animals,should he possess the necessary aptitude...
Montagu Browne 「Practical Taxidermy」
...One of the uses of plaster in modelling is, however, toreproduce flesh, etc...
Montagu Browne 「Practical Taxidermy」
...Cement for Modelling...
Montagu Browne 「Practical Taxidermy」
...The modelling of thefigure is broad and spirited, and will bear comparison with good Italianivories of the Renaissance period...
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」
...Agreat deal of the modelling in round objects is to be expressed bythis variety of handling...
Harold Speed 「The Practice and Science Of Drawing」
..." The surface of a sphere is the surface withthe least character, like the curve of a circle, and the one mostto be avoided in good modelling...
Harold Speed 「The Practice and Science Of Drawing」
...Compared withGreek work it lacks that subtle variety in the modelling that givesvitality...
Harold Speed 「The Practice and Science Of Drawing」
...Butwhile studying the gradations of tone that express form and givethe modelling, you should never neglect to keep the mind fixed uponthe relation the part you are painting bears to the whole picture...
Harold Speed 「The Practice and Science Of Drawing」
...So be very sparing with your tone valueswhen modelling the different parts...
Harold Speed 「The Practice and Science Of Drawing」
...There must have been knowledgeof color, modelling, and relief to have produced such an illusion, butthe aim was petty and unworthy of the skill...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Drawing and modelling wereneglected, light was wholly conventional, and landscape turned into apiece of embroidered background with a Dresden china-tapestry effectabout it...
John C. Van Dyke 「A Text-Book of the History of Painting」
...He had a stronggrasp of modelling and an artistic sense of the beauty and dignity ofline not excelled by any artist of this century...
John C. Van Dyke 「A Text-Book of the History of Painting」
...It was at Augsburg that the Renaissance art in Germany showed in morerestful composition, less angularity, better modelling and painting,and more sense of the ensemble of a picture...
John C. Van Dyke 「A Text-Book of the History of Painting」
...As adraughtsman he was awkward in line and not always true in modelling...
John C. Van Dyke 「A Text-Book of the History of Painting」
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