...Prophets and sibyls appear also in Renaissancemonuments; they were modelled by della Porta in the SantaCasa at Loretto, painted by Michelangelo in the Sistinechapel, by Raphael in S...
Rodolfo Lanciani 「Pagan and Christian Rome」
...If thereplica of the Pietà of Michelangelo, which we admire inthe church of S...
Rodolfo Lanciani 「Pagan and Christian Rome」
...The Farnesina, which hebought at auction in 1586, associates his memory with thatof the Chigis, of Raphael, Michelangelo, and BaldassarrePeruzzi...
Rodolfo Lanciani 「Pagan and Christian Rome」
...What Pontormo sankto, we see in such a riot of meaningless nudes,all caricatures of Michelangelo, as his “Martyrdomof Forty Saints...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...There is no oppositionbetween Giotto and Michelangelo...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...Pupil of Pier di Cosimo; influenced byFra Bartolommeo and Michelangelo...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...Pupil of Perugino and Franciabigio;influenced by Andrea del Sarto and Michelangelo...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...Pupil of Pier di Cosimo; influenced byLeonardo and Michelangelo...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...In making a collection of prints from the works of Michelangelo, it isimpossible to secure any wide variety, either in subject or method oftreatment...
Estelle M. Hurll 「Michelangelo」
... See notes on the Life of Michelangelo Buonarotti in theBlashfield-Hopkins edition of Vasari...
Estelle M. Hurll 「Michelangelo」
...On a cursory examination they both declared itto be a genuine Michelangelo...
Estelle M. Hurll 「Michelangelo」
...Vasari's apprenticeship with Michelangelo (p...
Estelle M. Hurll 「Michelangelo」
...Critics of sculpture tells us that the statue of David must have beenstudied from a model of the age which Michelangelo imagined as that ofthe shepherd lad at this time...
Estelle M. Hurll 「Michelangelo」
...To Michelangelo therewas nothing so beautiful in decoration as the human form...
Estelle M. Hurll 「Michelangelo」
...The marble group by Michelangelo interprets such a moment for us...
Estelle M. Hurll 「Michelangelo」
...Now as this is the Christ risen, or triumphant, the Christ who hasconquered death and the grave, Michelangelo wanted to do all he couldto make a noble-looking figure...
Estelle M. Hurll 「Michelangelo」
...He lived to a great old age, but he was so youngwhen he first showed his prophetic gifts that it is natural to thinkof him in his youth as Michelangelo has represented him...
Estelle M. Hurll 「Michelangelo」
...Thus we always think of her as an oldwoman, as Michelangelo has represented her...
Estelle M. Hurll 「Michelangelo」
...Now Michelangelo had a great deal to do with this family first andlast, and his work on the tomb has an additional interest on thisaccount...
Estelle M. Hurll 「Michelangelo」
...Albrecht Dürer was a contemporaryof Michelangelo, but he worked underwidely different conditions...
John W. Beatty 「The Relation of Art to Nature」
...But are not all these defectsprecisely of a kind which are unfortunately inseparable from theposition which Michelangelo assumed?...
Anthony M. Ludovici 「Nietzsche and Art」
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