例文・使い方で印象づける「michelangelo」の覚え方


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...Prophets and sibyls appear also in Renaissancemonuments; they were modelled by della Porta in the SantaCasa at Loretto, painted by Michelangelo in the Sistinechapel, by Raphael in S...   Prophets and sibyls appear also in Renaissancemonuments; they were modelled by della Porta in the SantaCasa at Loretto, painted by Michelangelo in the Sistinechapel, by Raphael in Sの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...If thereplica of the Pietà of Michelangelo, which we admire inthe church of S...   If thereplica of the Pietà of Michelangelo, which we admire inthe church of Sの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...The Farnesina, which hebought at auction in 1586, associates his memory with thatof the Chigis, of Raphael, Michelangelo, and BaldassarrePeruzzi...   The Farnesina, which hebought at auction in 1586, associates his memory with thatof the Chigis, of Raphael, Michelangelo, and BaldassarrePeruzziの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...What Pontormo sankto, we see in such a riot of meaningless nudes,all caricatures of Michelangelo, as his “Martyrdomof Forty Saints...   What Pontormo sankto, we see in such a riot of meaningless nudes,all caricatures of Michelangelo, as his “Martyrdomof Forty Saintsの読み方
Bernhard Berenson 「The Florentine Painters of the Renaissance」

...There is no oppositionbetween Giotto and Michelangelo...   There is no oppositionbetween Giotto and Michelangeloの読み方
Bernhard Berenson 「The Florentine Painters of the Renaissance」

...Pupil of Pier di Cosimo; influenced byFra Bartolommeo and Michelangelo...   Pupil of Pier di Cosimo; influenced byFra Bartolommeo and Michelangeloの読み方
Bernhard Berenson 「The Florentine Painters of the Renaissance」

...Pupil of Perugino and Franciabigio;influenced by Andrea del Sarto and Michelangelo...   Pupil of Perugino and Franciabigio;influenced by Andrea del Sarto and Michelangeloの読み方
Bernhard Berenson 「The Florentine Painters of the Renaissance」

...Pupil of Pier di Cosimo; influenced byLeonardo and Michelangelo...   Pupil of Pier di Cosimo; influenced byLeonardo and Michelangeloの読み方
Bernhard Berenson 「The Florentine Painters of the Renaissance」

...In making a collection of prints from the works of Michelangelo, it isimpossible to secure any wide variety, either in subject or method oftreatment...   In making a collection of prints from the works of Michelangelo, it isimpossible to secure any wide variety, either in subject or method oftreatmentの読み方
Estelle M. Hurll 「Michelangelo」

... See notes on the Life of Michelangelo Buonarotti in theBlashfield-Hopkins edition of Vasari...    See notes on the Life of Michelangelo Buonarotti in theBlashfield-Hopkins edition of Vasariの読み方
Estelle M. Hurll 「Michelangelo」

...On a cursory examination they both declared itto be a genuine Michelangelo...   On a cursory examination they both declared itto be a genuine Michelangeloの読み方
Estelle M. Hurll 「Michelangelo」

...Vasari's apprenticeship with Michelangelo (p...   Vasaris apprenticeship with Michelangelo (pの読み方
Estelle M. Hurll 「Michelangelo」

...Critics of sculpture tells us that the statue of David must have beenstudied from a model of the age which Michelangelo imagined as that ofthe shepherd lad at this time...   Critics of sculpture tells us that the statue of David must have beenstudied from a model of the age which Michelangelo imagined as that ofthe shepherd lad at this timeの読み方
Estelle M. Hurll 「Michelangelo」

...To Michelangelo therewas nothing so beautiful in decoration as the human form...   To Michelangelo therewas nothing so beautiful in decoration as the human formの読み方
Estelle M. Hurll 「Michelangelo」

...The marble group by Michelangelo interprets such a moment for us...   The marble group by Michelangelo interprets such a moment for usの読み方
Estelle M. Hurll 「Michelangelo」

...Now as this is the Christ risen, or triumphant, the Christ who hasconquered death and the grave, Michelangelo wanted to do all he couldto make a noble-looking figure...   Now as this is the Christ risen, or triumphant, the Christ who hasconquered death and the grave, Michelangelo wanted to do all he couldto make a noble-looking figureの読み方
Estelle M. Hurll 「Michelangelo」

...He lived to a great old age, but he was so youngwhen he first showed his prophetic gifts that it is natural to thinkof him in his youth as Michelangelo has represented him...   He lived to a great old age, but he was so youngwhen he first showed his prophetic gifts that it is natural to thinkof him in his youth as Michelangelo has represented himの読み方
Estelle M. Hurll 「Michelangelo」

...Thus we always think of her as an oldwoman, as Michelangelo has represented her...   Thus we always think of her as an oldwoman, as Michelangelo has represented herの読み方
Estelle M. Hurll 「Michelangelo」

...Now Michelangelo had a great deal to do with this family first andlast, and his work on the tomb has an additional interest on thisaccount...   Now Michelangelo had a great deal to do with this family first andlast, and his work on the tomb has an additional interest on thisaccountの読み方
Estelle M. Hurll 「Michelangelo」

...Albrecht Dürer was a contemporaryof Michelangelo, but he worked underwidely different conditions...   Albrecht Dürer was a contemporaryof Michelangelo, but he worked underwidely different conditionsの読み方
John W. Beatty 「The Relation of Art to Nature」

...But are not all these defectsprecisely of a kind which are unfortunately inseparable from theposition which Michelangelo assumed?...   But are not all these defectsprecisely of a kind which are unfortunately inseparable from theposition which Michelangelo assumed?の読み方
Anthony M. Ludovici 「Nietzsche and Art」

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