..., by pushing mannerism to the extreme point, caused awholesome reaction in art...
Rodolfo Lanciani 「Pagan and Christian Rome」
...This led inevitably toimitation, over-refinement of style, and conscious study of beauty,resulting in mannerism and affectation...
John C. Van Dyke 「A Text-Book of the History of Painting」
...This type was carried into all hisworks, and finally became a mannerism with him...
John C. Van Dyke 「A Text-Book of the History of Painting」
...,wilfulness of colour in architecture, mannerism inthe attitudes and faces, but good, clever technicand bright gold...
John W. Bradley 「Illuminated Manuscripts」
...
Bottari confesses "that he shews somewhat of mannerism, but concealedwith such skill that it is not perceptible;" an art which very few ofhis imitators possess...
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」
...Few of them were eminent as colourists, but many in design; few wereentirely free from the mannerism above noticed; many, however, byprogressive improvement, at length attained gracefulness...
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」
...Several Florentine artists tried to imitate them, and have producedworks that resemble sketches: this species of mannerism is not uncommonin other schools...
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」
...It is in animportant sense pure mannerism, often the resultof habit or early professional training...
John W. Beatty 「The Relation of Art to Nature」
...The declinebecame apparent soon after the sacking of the city, and from the time ofthat event, the art daily degenerated in the capital, and ultimatelyterminated in mannerism...
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」
...Federigo, his brother and scholar, resembled him in style, but wasnot equal to him in design, having more mannerism than Taddeo, beingmore addicted to ornament, and more crowded in his composition...
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」
...It is true, that on examination wefind that he was not in reality a profound colourist, and that to obtaina grandeur of tone, he adopted in the shadows a green tint, whichproduced a mannerism...
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」
...Thereprevailed, however, in the style of this school a mannerism, which in afew years brought it into disrepute...
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」
...Massimo; a correct designer, a lively and gracefulpainter, particularly of children, excepting a somewhat too greatfleshiness, and a trace of mannerism...
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」
...Both are esteemed for their correct design; but the taste ofthe second is more solid and more free from mannerism...
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」
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