例文・使い方で印象づける「fresco」の覚え方


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...Possibly one of the finest Egyptian representations of an animal is the fresco of a goat in the tomb of Gen-Amen, discovered by Mr...   Possibly one of the finest Egyptian      representations of an animal is the fresco of a goat in the tomb of      Gen-Amen, discovered by Mrの読み方
L.W. King and H.R. Hall 「History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria In The Light Of Recent Discovery」

...Any one of these gift-bearers might have sat for the portrait of the Knossian Cupbearer, the fresco discovered by Mr...   Any one of these gift-bearers might have sat for the portrait      of the Knossian Cupbearer, the fresco discovered by Mrの読み方
L.W. King and H.R. Hall 「History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria In The Light Of Recent Discovery」

...Thereader is probably familiar with the fresco from Herculaneumrepresenting two Genii seated at a bench; one ofthem is forcing a last into a shoe, while his companion isbusy mending another...   Thereader is probably familiar with the fresco from Herculaneumrepresenting two Genii seated at a bench; one ofthem is forcing a last into a shoe, while his companion isbusy mending anotherの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...We now have fresco paintings ofmonstrosities, rather than truthful representations of definite things...   We now have fresco paintings ofmonstrosities, rather than truthful representations of definite thingsの読み方
Vitruvius 「Ten Books on Architecture」

...On the wallsabove what were once the altars of the Virgin and Our Ladyof Pity, remains of fresco painting may be noticed, all thatremains of what has evidently been beautiful work...   On the wallsabove what were once the altars of the Virgin and Our Ladyof Pity, remains of fresco painting may be noticed, all thatremains of what has evidently been beautiful workの読み方
J. E. Bygate 「Bell's Cathedrals: The Cathedral Church of Durham」

...A copy of the fresco of St...   A copy of the fresco of Stの読み方
Hartley Withers 「The Cathedral Church of Canterbury [2nd ed.].」

...Brackets to support an altar remain in part, and there are fainttraces of a fresco painting on the east wall, which is said to haverepresented scenes in the life of St...   Brackets to support an altar remain in part, and there are fainttraces of a fresco painting on the east wall, which is said to haverepresented scenes in the life of Stの読み方
H. J. L. J. Massé 「Bell's Cathedrals: The Abbey Church of Tewkesbury」

...Therefore, his works in fresco ought to be thefirst object of our study and attention...   Therefore, his works in fresco ought to be thefirst object of our study and attentionの読み方
Joshua Reynolds 「Seven Discourses on Art」

...That is to say, figures orgroups were painted in fresco on the wall and then surrounded bygeometrical, floral, or architectural designs to give the effect of apanel let into the wall...   That is to say, figures orgroups were painted in fresco on the wall and then surrounded bygeometrical, floral, or architectural designs to give the effect of apanel let into the wallの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Besides these there areexamples of Roman fresco and distemper in the Louvre andother European Museums...   Besides these there areexamples of Roman fresco and distemper in the Louvre andother European Museumsの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...The chief medium was fresco on the walls of buildings, andarchitectural necessities often dictated the form of compositions...   The chief medium was fresco on the walls of buildings, andarchitectural necessities often dictated the form of compositionsの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...His friend and fellow-worker, Pinturricchio(1454-1513), did not use oils, but was a superior man in fresco...   His friend and fellow-worker, Pinturricchio(1454-1513), did not use oils, but was a superior man in frescoの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...One of the chief means employed by this Catholicreaction was the embellishment of church worship, and painting on alarge scale, on panel rather than in fresco, was demanded fordecorative purposes...   One of the chief means employed by this Catholicreaction was the embellishment of church worship, and painting on alarge scale, on panel rather than in fresco, was demanded fordecorative purposesの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He never worked in fresco, preferring oil and tempera...   He never worked in fresco, preferring oil and temperaの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...This picture is a fresco in the cloister of theAnnunziata at Florence, and it is called "ofthe sack" because Joseph is posed leaningagainst a sack, a book open upon his knees...   This picture is a fresco in the cloister of theAnnunziata at Florence, and it is called ofthe sack because Joseph is posed leaningagainst a sack, a book open upon his kneesの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...The artist madeanother picture of her, the one here shown, butin the same dress and posed the same as she hadbeen for the church fresco...   The artist madeanother picture of her, the one here shown, butin the same dress and posed the same as she hadbeen for the church frescoの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...From a fresco in the Baths of Constantine, 4th century A...   From a fresco in the Baths of Constantine, 4th century Aの読み方
Anonymous 「The Dance (by An Antiquary)」

...Generally they are men, as at Lutterworthin the sculptures over the door, and inthe famous fresco of Gozzoli at Pisa...   Generally they are men, as at Lutterworthin the sculptures over the door, and inthe famous fresco of Gozzoli at Pisaの読み方
John W. Bradley 「Illuminated Manuscripts」

...In that of Bologna we should also classOderigo, who, as a miniature painter, was more likely to employ someother master than a painter in fresco like Cimabue...   In that of Bologna we should also classOderigo, who, as a miniature painter, was more likely to employ someother master than a painter in fresco like Cimabueの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Ambrose, a fresco picture, full of portraits; inwhich we discover variety, character, and truth...   Ambrose, a fresco picture, full of portraits; inwhich we discover variety, character, and truthの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...He lived long at Rome,under the protection of Ferdinando, Cardinal de' Medici, in whose house,and more especially in the Rucellai palace, he painted in fresco withincredible diligence...   He lived long at Rome,under the protection of Ferdinando, Cardinal de Medici, in whose house,and more especially in the Rucellai palace, he painted in fresco withincredible diligenceの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

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