例文・使い方で印象づける「florentine」の覚え方


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... Anthidium florentinum (see Florentine Anthidium)...         Anthidium florentinum (see Florentine Anthidium)の読み方
J. Henri Fabre 「Bramble-bees and Others」

...Our wealthy citizens are building châteaux in the style of Francis I or of somebody else, Venetian or Florentine palaces, Roman villas, Flemish guild-halls, Elizabethan half-timber houses...   Our wealthy citizens are building châteaux in the style of Francis I or of    somebody else, Venetian or Florentine palaces, Roman villas, Flemish guild-halls,    Elizabethan half-timber housesの読み方
Various 「The Brochure Series of Architectural Illustration, Vol. 1, No. 10, October 1895.」

...Hewas the best brushman and colorist of the Florentine school...   Hewas the best brushman and colorist of the Florentine schoolの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...In composition,modelling, line, even in texture painting (see his portraits) he was aman of accomplishment; while in grace, purity, serenity, loftiness hewas the Florentine leader easily first...   In composition,modelling, line, even in texture painting (see his portraits) he was aman of accomplishment; while in grace, purity, serenity, loftiness hewas the Florentine leader easily firstの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Cespedes (1538?-1608) is little known through extant works, but heachieved fame in many departments during his life, and is said to havebeen in Italy under Florentine influence...   Cespedes (1538?-1608) is little known through extant works, but heachieved fame in many departments during his life, and is said to havebeen in Italy under Florentine influenceの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Such a painting as this is not "religious,"nor is it historic, nor does it suggest a subject;it is merely a fine picture better coloured thanmost of those of the Florentine school...   Such a painting as this is not religious,nor is it historic, nor does it suggest a subject;it is merely a fine picture better coloured thanmost of those of the Florentine schoolの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...At a later date came Rinuccini, the poet, a Florentine, as was probably Caccini, the musician...   At    a later date came Rinuccini, the poet, a Florentine, as was probably Caccini,    the musicianの読み方
Anonymous 「The Dance (by An Antiquary)」

...Ifattractiveness, and attractiveness of the bestkind, sufficed to make a great artist, thenFilippo would be one of the greatest, greaterperhaps than any other Florentine beforeLeonardo...   Ifattractiveness, and attractiveness of the bestkind, sufficed to make a great artist, thenFilippo would be one of the greatest, greaterperhaps than any other Florentine beforeLeonardoの読み方
Bernhard Berenson 「The Florentine Painters of the Renaissance」

...Those artists were theornaments of the Florentine and Roman schools, from which I proceed totwo others, the Sienese and Neapolitan...   Those artists were theornaments of the Florentine and Roman schools, from which I proceed totwo others, the Sienese and Neapolitanの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Add to this, if we are toderive all painters from those two masters, every style of paintingshould resemble that of their Florentine disciples...   Add to this, if we are toderive all painters from those two masters, every style of paintingshould resemble that of their Florentine disciplesの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...He adds, that in this plan Finiguerra was followedby Baldini, a Florentine goldsmith; next to whom he mentions Botticelli;and he might have added the name of Pollaiuolo...   He adds, that in this plan Finiguerra was followedby Baldini, a Florentine goldsmith; next to whom he mentions Botticelli;and he might have added the name of Pollaiuoloの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...; yet he ought notto be separated from the Florentine school, to which Vasari refers him,which the character of his design confirms...   ; yet he ought notto be separated from the Florentine school, to which Vasari refers him,which the character of his design confirmsの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

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