...“I wouldn’t acknowledge it if I did,”Jacqueline replied, with stiff propriety,but for once Merrington was unmindfulof her words, and was waving hishand with facile grace above his head...
Various 「Ainslee's magazine, Volume 16, No. 2, September, 1905」
...In that article it is easy torecognise the Roman hand of the facile princeps among livingcomparative anatomists...
Various 「Heads and Tales」
...George Moore’s work stands on a very much higher plane than the facile fiction of the circulating libraries…...
Frédéric Houssay 「The Industries of Animals」
...about 360 ), a facile painter, was at its head...
John C. Van Dyke 「A Text-Book of the History of Painting」
...They were facile flatterers given over to the pomps of thereign and mirroring all its absurdities of fashion...
John C. Van Dyke 「A Text-Book of the History of Painting」
...He excelled in color, sunlight effects, andparticularly in a vivacious facile handling of the brush...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Strong, virile, yet easy and facile, he seemed to producewithout effort...
John C. Van Dyke 「A Text-Book of the History of Painting」
...He was facile with the brush, clever in lineand color, brilliant to the last degree, but lacking in thatsimplicity of view and method which marks the great mind...
John C. Van Dyke 「A Text-Book of the History of Painting」
...He never outlivedthe nervous constraint that shows in all his pictures, and his brush,though facile within limits, was never free or bold as compared with aDutchman like Steen...
John C. Van Dyke 「A Text-Book of the History of Painting」
...The "young men," so-called, though some of them are now on towardmiddle life, are perhaps more facile in brush-work and better traineddraughtsmen than those we have just mentioned...
John C. Van Dyke 「A Text-Book of the History of Painting」
...His graceful and harmonious line recalls thehappiest moments in the history of plastic art, and he challengescomparison with a facile genius like Raphael...
Raphael Petrucci Frances Seaver 「Chinese Painters」
...The cheerful man who indulges in pleasures and dissipation, can not imagine God to be an austere and rebukeful being; he requires a facile God with whom he can make an agreement...
Jean Meslier Anna Knoop 「Superstition In All Ages (1732)」
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