例文・使い方で印象づける「compositions」の覚え方


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...It is not customary to put a final wordthat is aguda in the uneven verses of compositions written inhendecasyllables, or in verses that rhyme with them...   It is not customary to put a final wordthat is aguda in the uneven verses of compositions written inhendecasyllables, or in verses that rhyme with themの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...Every verseshould rhyme with another, yet sometimes a verse is leftunrhymed in long compositions...   Every verseshould rhyme with another, yet sometimes a verse is leftunrhymed in long compositionsの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...These compositions were furnished with Assyrian translations upon the tablets on which they were inscribed, and it was correctly argued by the late Sir Henry Rawlinson, the late M...   These compositions were furnished with Assyrian      translations upon the tablets on which they were inscribed, and it was      correctly argued by the late Sir Henry Rawlinson, the late Mの読み方
L.W. King and H.R. Hall 「History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria In The Light Of Recent Discovery」

...Moreover, the nature of these compositions is not such as we should expect to find recorded in a cabalistic method of writing...   Moreover, the nature of these      compositions is not such as we should expect to find recorded in a      cabalistic method of writingの読み方
L.W. King and H.R. Hall 「History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria In The Light Of Recent Discovery」

...They are, in fact, very remarkable compositions, and in themselves justify the claim that the Sumerians were possessed of a literature in the proper sense of the term...   They are, in fact, very remarkable compositions, and in      themselves justify the claim that the Sumerians were possessed of a      literature in the proper sense of the termの読み方
L.W. King and H.R. Hall 「History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria In The Light Of Recent Discovery」

...The structure of lines surrounding the masses onwhich their compositions are built were fused in the mostmysterious and delightful way...   The structure of lines surrounding the masses onwhich their compositions are built were fused in the mostmysterious and delightful wayの読み方
Harold Speed 「The Practice and Science Of Drawing」

...The small amount of truthto visual nature in the work of earlier men went better with theformality of such compositions...   The small amount of truthto visual nature in the work of earlier men went better with theformality of such compositionsの読み方
Harold Speed 「The Practice and Science Of Drawing」

...This was the useof long stiff lily-stalks or other upright detailsin his compositions...   This was the useof long stiff lily-stalks or other upright detailsin his compositionsの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...But the first poetical compositions of the Greeks werenot written...   But the first poetical compositions of the Greeks werenot writtenの読み方
Marcius Willson 「Mosaics of Grecian History」

...His triumphal odes alone have come down to usentire; but of some of his other compositions there are a fewsublime and beautiful fragments...   His triumphal odes alone have come down to usentire; but of some of his other compositions there are a fewsublime and beautiful fragmentsの読み方
Marcius Willson 「Mosaics of Grecian History」

...Such compositions should form one great whole: minute detailwill inevitably weaken their effect...   Such compositions should form one great whole: minute detailwill inevitably weaken their effectの読み方
John Trusler 「The Works of William Hogarth: In a Series of Engravings」

...This determineshis types, his schemes of colour, evenhis compositions...   This determineshis types, his schemes of colour, evenhis compositionsの読み方
Bernhard Berenson 「The Florentine Painters of the Renaissance」

...Notto speak of the emptiness of the one and theconfusion of the other, as compositions, there isnot a figure in either which has tactile values,—thatis to say, artistic existence...   Notto speak of the emptiness of the one and theconfusion of the other, as compositions, there isnot a figure in either which has tactile values,—thatis to say, artistic existenceの読み方
Bernhard Berenson 「The Florentine Painters of the Renaissance」

...Heusually introduced real portraits of distinguished characters and men ofletters in his compositions, and he shewed a peculiar grace in thefigures of children and of young people...   Heusually introduced real portraits of distinguished characters and men ofletters in his compositions, and he shewed a peculiar grace in thefigures of children and of young peopleの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

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