...But the Roman world,with all its classicism and learning, was dying...
John C. Van Dyke 「A Text-Book of the History of Painting」
...The artists fought this influence, stickling a long timefor the severer classicism of ancient Greece...
John C. Van Dyke 「A Text-Book of the History of Painting」
...If Florence wasthe heir of Rome and its austere classicism, Venice was the heir ofConstantinople and its color-charm...
John C. Van Dyke 「A Text-Book of the History of Painting」
...In such ways religion in art was gradually undermined, notalone by naturalism and classicism but by art itself...
John C. Van Dyke 「A Text-Book of the History of Painting」
...The revived classicism of David inFrance affected nineteenth-century painting in Italy somewhat...
John C. Van Dyke 「A Text-Book of the History of Painting」
...It was David who established the reign of classicism, and bynative power became the leader...
John C. Van Dyke 「A Text-Book of the History of Painting」
...In French painting it came forward inopposition to the classicism of David...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Its position toward classicism was antagonistic, a rebound, aflying to the other extreme...
John C. Van Dyke 「A Text-Book of the History of Painting」
...The quarrel between classicism and romanticism lasted some years, withneither side victorious...
John C. Van Dyke 「A Text-Book of the History of Painting」
...With the classicism of David not only the figure but the landscapesetting of it, took on an ideal heroic character...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Their art,however, combined with nature study and the realism of Courbet,succeeded in modifying the severe classicism of Ingres into what hasbeen called semi-classicism...
John C. Van Dyke 「A Text-Book of the History of Painting」
...After Goya's death Spanish art, such as it was, rather followedFrance, with the extravagant classicism of David as a model...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Even in decadence the most of them feebly followed their own paintersrather than those of Italy and France, and in the early nineteenthcentury they were not affected by the French classicism of David...
John C. Van Dyke 「A Text-Book of the History of Painting」
...They constitute, thus,a sort of romantic interregnum—still very classic, from an intellectualpoint of view—between the classicism of Lebrun and the still greaterseverity of David...
W. C. Brownell 「French Art」
..." The remark contains an admirablecharacterization of romanticism; as distinguished from classicism,romanticism is consciousness of the background...
W. C. Brownell 「French Art」
...Closely considered, they are notthe revolutionists they seemed to the official classicism of their day...
W. C. Brownell 「French Art」
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