...In the fourth century Byzantine influencesbegan to be felt, and in 330 St...
W.E.B. Du Bois 「The Negro」
...Here were placedthe images of the Byzantine princes, sent from Constantinopleto Rome, to represent in a certain way their rights...
Rodolfo Lanciani 「Pagan and Christian Rome」
...were obtained by pressing the gold into stone moulds, and wereafterwards enriched with threads of gold or “filigree,” which developedlater into the Byzantine filigree work...
Richard Glazier 「A Manual of Historic Ornament」
...Characteristic Byzantine examples have medallions and symmetricallyplaced figures and ornament of the “Hom...
Richard Glazier 「A Manual of Historic Ornament」
...The Assyrian and Byzantine guilloche is but a curved fret, butadditional interest is given by the introduction of radiating forms inthe principal interstices of the fret (fig...
Richard Glazier 「A Manual of Historic Ornament」
...The Byzantine capital differs from those of the Greeks and Romans in itsmarked symbolism of detail and the prevalence of the cushion form...
Richard Glazier 「A Manual of Historic Ornament」
...These splendid capitals of a splendid period are exceedinglybeautiful in fertile inventiveness of enrichment, and show theassimilative power of the Byzantine craftsmen...
Richard Glazier 「A Manual of Historic Ornament」
...The Byzantine capitals have the square abacus, usually consisting of asimple fillet and chamfer enriched with the billet, dentil or starpattern...
Richard Glazier 「A Manual of Historic Ornament」
...The plan of the Romanesquedome differs very much from that of the Byzantine, yet the generalconception seems Eastern...
Elise Whitlock Rose 「Cathedrals and Cloisters of the South of France, Volume 1」
...He retained the Byzantine pattern, but loosened the lines ofdrapery somewhat, turned the head to one side, infused the figure witha little appearance of life...
John C. Van Dyke 「A Text-Book of the History of Painting」
...There were no antique influences, no excavated marbles to copy,no Byzantine traditions left to follow...
John C. Van Dyke 「A Text-Book of the History of Painting」
...In the ninth and tenthcenturies missal illumination of a Byzantine cast, with localmodifications, began to show...
John C. Van Dyke 「A Text-Book of the History of Painting」
...those ofthe early Byzantine artists, and afterwards thoseof Western Europe—were finished with touches ofgold to represent the lights...
John W. Bradley 「Illuminated Manuscripts」
...Persian calligraphers had taught its use afresh tothe Byzantine scribes...
John W. Bradley 「Illuminated Manuscripts」
...A half-century and more of rapid renaissanceto the most brilliant epoch of Byzantine artsince the time of Justinian, if not the zenith ofthe school...
John W. Bradley 「Illuminated Manuscripts」
...To apply these observations to the style ofillumination which now comes under our noticeit may be said that if we allow the cross and archto be copied from the Byzantine MSS...
John W. Bradley 「Illuminated Manuscripts」
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