例文・使い方で印象づける「Siena」の覚え方


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...When the triptych of Duccio Buoninsegna,now in the "Casa dell' opera" at Siena, was carried fromhis studio to the Duomo, June 9, 1310, the whole populationfollowed in a triumphant procession...   When the triptych of Duccio Buoninsegna,now in the Casa dell opera at Siena, was carried fromhis studio to the Duomo, June 9, 1310, the whole populationfollowed in a triumphant processionの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...Paulhimself placed on the lintel a record of his work, of whichRaffaello da Montelupo and Antonio da Sangallo were thearchitects; Marco da Siena, Pierin del Vaga, and Giulio Romano,the decorators...   Paulhimself placed on the lintel a record of his work, of whichRaffaello da Montelupo and Antonio da Sangallo were thearchitects; Marco da Siena, Pierin del Vaga, and Giulio Romano,the decoratorsの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...Perhaps the earliest examples known are the hexagonal pulpit in theBaptistery at Pisa, a similar one in the Cathedral at Siena, and thefountain at Perugia, all by Nicolo Pisano (1206-76)...   Perhaps the earliest examples known are the hexagonal pulpit in theBaptistery at Pisa, a similar one in the Cathedral at Siena, and thefountain at Perugia, all by Nicolo Pisano (1206-76)の読み方
Richard Glazier 「A Manual of Historic Ornament」

...Two eminent artists, natives of Siena,proceeded from the school of Gio...   Two eminent artists, natives of Siena,proceeded from the school of Gioの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...The brothers also executed many of their own designs inOrvieto, in Siena, and in Lombardy, where they brought up severalpupils, who for a long period pursued their manner, and diffused it overItaly...   The brothers also executed many of their own designs inOrvieto, in Siena, and in Lombardy, where they brought up severalpupils, who for a long period pursued their manner, and diffused it overItalyの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...The artists whomI have before mentioned had few followers; their schools, with theexception of that of Siena, languished, and were either graduallydispersed, or united themselves to that of Florence...   The artists whomI have before mentioned had few followers; their schools, with theexception of that of Siena, languished, and were either graduallydispersed, or united themselves to that of Florenceの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...A Simon da Siena, aStefano da Firenze, a Pietro Laurati, added charms to the art; but theyand others owe to Giotto the transition from the old to a new manner...   A Simon da Siena, aStefano da Firenze, a Pietro Laurati, added charms to the art; but theyand others owe to Giotto the transition from the old to a new mannerの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Sorri of Siena, whom we reserve for that school, is theone best known in Italy; having painted with applause in several of hercities...   Sorri of Siena, whom we reserve for that school, is theone best known in Italy; having painted with applause in several of hercitiesの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Catharine of Siena, where she isrepresented receiving the mystic wounds of the crucifixion...   Catharine of Siena, where she isrepresented receiving the mystic wounds of the crucifixionの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Matthew at Pisa,which is their finest work, or their paintings in Siena, and at otherplaces, where they were employed together...   Matthew at Pisa,which is their finest work, or their paintings in Siena, and at otherplaces, where they were employed togetherの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...They arepainted in vermilion, in a very hard and meagre style; but they arevaluable on account of their era, 1213, in which they were executed byOderico Canonico of Siena...   They arepainted in vermilion, in a very hard and meagre style; but they arevaluable on account of their era, 1213, in which they were executed byOderico Canonico of Sienaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

..."He painted pictures and chapels over all Italy," saysVasari; and if I am not mistaken he came to Florence after his travels,and at length died at Siena...   He painted pictures and chapels over all Italy, saysVasari; and if I am not mistaken he came to Florence after his travels,and at length died at Sienaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...relates in his Annals of Siena, which werenever published, that it cost 2,000 florins; others raise it to 3,000;but not so much on account of the workmanship as the profusion of goldand ultramarine...   relates in his Annals of Siena, which werenever published, that it cost 2,000 florins; others raise it to 3,000;but not so much on account of the workmanship as the profusion of goldand ultramarineの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Bernardo) da Siena, ofwhom Vasari says, that "he was the first who painted animals correctly;"and at the same time allows him no common merit in the human figure,especially in what regards expression...   Bernardo) da Siena, ofwhom Vasari says, that he was the first who painted animals correctly;and at the same time allows him no common merit in the human figure,especially in what regards expressionの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...He was less successfulin painting, and offends by hardness, as far as we can determine fromthe small remains of him in Siena, for there are none existing atPienza...   He was less successfulin painting, and offends by hardness, as far as we can determine fromthe small remains of him in Siena, for there are none existing atPienzaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Thenoble house of Sozzini and some other families in Siena, possess severalof his small pictures...   Thenoble house of Sozzini and some other families in Siena, possess severalof his small picturesの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Domenico, of Siena,we find this sentence "Magister Simon Martini pictor mortuus est incuriâ; cujus exequias fecimus ...   Domenico, of Siena,we find this sentence Magister Simon Martini pictor mortuus est incuriâ; cujus exequias fecimus の読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

... This Guido da Siena is, perhaps, the one mentioned by Sacchetti in hiseighty-fourth tale, and of whom there remains a picture in the church ofS...    This Guido da Siena is, perhaps, the one mentioned by Sacchetti in hiseighty-fourth tale, and of whom there remains a picture in the church ofSの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

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