例文・使い方で印象づける「Pisa」の覚え方


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...Starting at Genoa, I went to Massa and Pisa and Lucca; from Luccafollowing the valley of the Serchio as far north as Castelnuovo...   Starting at Genoa, I went to Massa and Pisa and Lucca; from Luccafollowing the valley of the Serchio as far north as Castelnuovoの読み方
Various 「The American Journal of Archaeology, 1893-1」

...FrancescoPisa; Ambrogio Lorenzetti, frescos Palazzo Pubblico Sienna,Triumph of Death (with Pietro Lorenzetti) Campo Santo Pisa,St...   FrancescoPisa; Ambrogio Lorenzetti, frescos Palazzo Pubblico Sienna,Triumph of Death (with Pietro Lorenzetti) Campo Santo Pisa,Stの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Generally they are men, as at Lutterworthin the sculptures over the door, and inthe famous fresco of Gozzoli at Pisa...   Generally they are men, as at Lutterworthin the sculptures over the door, and inthe famous fresco of Gozzoli at Pisaの読み方
John W. Bradley 「Illuminated Manuscripts」

...Othergreat choir books of the earlier period are preservedin the Academy at Pisa...   Othergreat choir books of the earlier period are preservedin the Academy at Pisaの読み方
John W. Bradley 「Illuminated Manuscripts」

...There were, and still are, some ancient sarcophagi in Pisa,especially that which inclosed the body of Beatrice, mother of theCountess Matilda, who died in the eleventh century...   There were, and still are, some ancient sarcophagi in Pisa,especially that which inclosed the body of Beatrice, mother of theCountess Matilda, who died in the eleventh centuryの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Their first pupils in Pisa seem to have been a few anonymous artists,some of whose miniatures and rude paintings are still in existence...   Their first pupils in Pisa seem to have been a few anonymous artists,some of whose miniatures and rude paintings are still in existenceの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Thus this branch of thetree belongs to Pisa, unless Cimabue have a claim to it, by contributingin some degree to the instruction of Arnolfo in the principles ofarchitecture...   Thus this branch of thetree belongs to Pisa, unless Cimabue have a claim to it, by contributingin some degree to the instruction of Arnolfo in the principles ofarchitectureの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Ranieri, which remain in the Campo Santo of Pisa, wherethere is a certain facility, care, and caprice in the composition, thatsavour of another school...   Ranieri, which remain in the Campo Santo of Pisa, wherethere is a certain facility, care, and caprice in the composition, thatsavour of another schoolの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...During the fourteenth century, sculpture was cultivated at Pisa by asmany artists as painting was at Florence; but Pisa was not on thataccount destitute of painters worthy of being recorded...   During the fourteenth century, sculpture was cultivated at Pisa by asmany artists as painting was at Florence; but Pisa was not on thataccount destitute of painters worthy of being recordedの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...From the time that the art ofpainting revived in Pisa, that city had not perhaps so eminent apainter, nor have many better been born on the banks of the Arno, a soilso propitious to the arts...   From the time that the art ofpainting revived in Pisa, that city had not perhaps so eminent apainter, nor have many better been born on the banks of the Arno, a soilso propitious to the artsの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Nicolas at Pisa, there remains a memorial of Domenico Bongi ofPietrasanta, who was a follower of Perino del Vaga...   Nicolas at Pisa, there remains a memorial of Domenico Bongi ofPietrasanta, who was a follower of Perino del Vagaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Signor da Morrona notices thePoli, two brothers, who executed many pleasing landscapes, which areknown in the collections of Florence and of Pisa...   Signor da Morrona notices thePoli, two brothers, who executed many pleasing landscapes, which areknown in the collections of Florence and of Pisaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Bartolommeo, for the church dedicated to that saint at Pisa, in anexcellent style, did not give equal satisfaction by his History of S...   Bartolommeo, for the church dedicated to that saint at Pisa, in anexcellent style, did not give equal satisfaction by his History of Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

... History only gives him some assistants in mosaic; at Pisa Tafi and GaddoGaddi; at Rome, in S...   

History only gives him some assistants in mosaic; at Pisa Tafi and GaddoGaddi; at Rome, in Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Among the finest pictures inthe cathedral of Pisa, is the Dispute about the Sacrament, painted inemulation of his brother Ventura, who had surpassed his usual style inthe altarpiece of the angels...   Among the finest pictures inthe cathedral of Pisa, is the Dispute about the Sacrament, painted inemulation of his brother Ventura, who had surpassed his usual style inthe altarpiece of the angelsの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Catherine, at Pisa, there is a picture of the titular Saint;Florence possesses the pictures of the Riccardi saloon; and at thechurch of S...   Catherine, at Pisa, there is a picture of the titular Saint;Florence possesses the pictures of the Riccardi saloon; and at thechurch of Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...The Primaziale of Pisa, who in the choice of their artistsconsulted no recommendation but that of character, employed him on aconsiderable work, representing S...   The Primaziale of Pisa, who in the choice of their artistsconsulted no recommendation but that of character, employed him on aconsiderable work, representing Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...He looked as humble as the leaning tower at Pisa...   He looked      as humble as the leaning tower at Pisaの読み方
Mark Twain (Samuel Clemens) 「A Connecticut Yankee in King Arthur’s Court, Complete」

「Pisa」の意味・発音

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