例文・使い方で印象づける「Pisa」の覚え方


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...This monument was erected May 21, 1664, accordingto the agreement made at Pisa...   This monument was erected May 21, 1664, accordingto the agreement made at Pisaの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...He worked during his youth in Pisa, wherethe "leaning tower" stands; then he workedin Florence, finally in Rome, but those earlypictures are long since gone...   He worked during his youth in Pisa, wherethe leaning tower stands; then he workedin Florence, finally in Rome, but those earlypictures are long since goneの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...Several of these “Exultets” are still keptin the Cathedral at Pisa, and in the Barberiniand Minerva Libraries in Rome...   Several of these “Exultets” are still keptin the Cathedral at Pisa, and in the Barberiniand Minerva Libraries in Romeの読み方
John W. Bradley 「Illuminated Manuscripts」

...The honour of this is due to the Tuscans; a nation thatfrom very remote antiquity disseminated the benign light of art andlearning throughout Italy; but it more especially belongs to the peopleof Pisa...   The honour of this is due to the Tuscans; a nation thatfrom very remote antiquity disseminated the benign light of art andlearning throughout Italy; but it more especially belongs to the peopleof Pisaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...With similar skill he painted inthe inferior church, and this is perhaps the best performance which hasreached our times, though specimens remain in Ravenna, in Padua, inRome, in Florence, and in Pisa...   With similar skill he painted inthe inferior church, and this is perhaps the best performance which hasreached our times, though specimens remain in Ravenna, in Padua, inRome, in Florence, and in Pisaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Giovanni Tossicani of Arezzo, was a disciple of Giottino,employed in Pisa and over all Tuscany...   Giovanni Tossicani of Arezzo, was a disciple of Giottino,employed in Pisa and over all Tuscanyの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...During the fourteenth century, sculpture was cultivated at Pisa by asmany artists as painting was at Florence; but Pisa was not on thataccount destitute of painters worthy of being recorded...   During the fourteenth century, sculpture was cultivated at Pisa by asmany artists as painting was at Florence; but Pisa was not on thataccount destitute of painters worthy of being recordedの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Matthew's in Pisa...   Matthews in Pisaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...The mode of expression is derived from theμ'εποιησε of the Greeks; towhich the old Pisans closely adhered in their paintings, theirsculptures, and their bronzes...   The mode of expression is derived from theμεποιησε of the Greeks; towhich the old Pisans closely adhered in their paintings, theirsculptures, and their bronzesの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Hisvery correct performances, in the cathedral of Pisa, areexecuted after both masters; but when compared to Cigoli he is moreminute, and has much less softness...   Hisvery correct performances, in the cathedral of Pisa, areexecuted after both masters; but when compared to Cigoli he is moreminute, and has much less softnessの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Stefano Marucelli,both an engineer and a painter, was not born in Pisa, but he may bereckoned a Pisan from his long residence and attachment to the place...   Stefano Marucelli,both an engineer and a painter, was not born in Pisa, but he may bereckoned a Pisan from his long residence and attachment to the placeの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Leghorn and Pisa arerich in his easel pictures; and one in possession of Sig...   Leghorn and Pisa arerich in his easel pictures; and one in possession of Sigの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Anthony of Pisa, which he executed in a weak style in1606...   Anthony of Pisa, which he executed in a weak style in1606の読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Bartolommeo, for the church dedicated to that saint at Pisa, in anexcellent style, did not give equal satisfaction by his History of S...   Bartolommeo, for the church dedicated to that saint at Pisa, in anexcellent style, did not give equal satisfaction by his History of Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Francesco Melani, of Pisa,adhered strongly to Cortona...   Francesco Melani, of Pisa,adhered strongly to Cortonaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...There is apicture wholly the work of Lippo in Siena; and the author of theDescription of Pisa records one at the church of S...   There is apicture wholly the work of Lippo in Siena; and the author of theDescription of Pisa records one at the church of Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...He likewise executed somebeautiful historical pieces when he vied with Poccetti, in the cloisterof the Servi at Florence, and in the cathedral of Pisa, where he wassurrounded by such great painters...   He likewise executed somebeautiful historical pieces when he vied with Poccetti, in the cloisterof the Servi at Florence, and in the cathedral of Pisa, where he wassurrounded by such great paintersの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...The Primaziale of Pisa, who in the choice of their artistsconsulted no recommendation but that of character, employed him on aconsiderable work, representing S...   The Primaziale of Pisa, who in the choice of their artistsconsulted no recommendation but that of character, employed him on aconsiderable work, representing Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

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