例文・使い方で印象づける「Parma」の覚え方


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...In 1821, under the foundations of a house at Parma,precious objects were found to the value of several thousandscudi...   In 1821, under the foundations of a house at Parma,precious objects were found to the value of several thousandscudiの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...of Naples, the grand master ofMalta, the duke of Parma, and other potentates took theirshare also in the crusade...   of Naples, the grand master ofMalta, the duke of Parma, and other potentates took theirshare also in the crusadeの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...Paul at Parma, whereCorreggio was allowed to paint mythological Dianas and Cupids in theplace of saints and madonnas...   Paul at Parma, whereCorreggio was allowed to paint mythological Dianas and Cupids in theplace of saints and madonnasの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...GiovanniEvangelista, Duomo Parma, altar-pieces Dresden (4), ParmaGals...   GiovanniEvangelista, Duomo Parma, altar-pieces Dresden (4), ParmaGalsの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

... School of Parma...    School of Parmaの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...Cochin, who is confuted in theGuides to the cities of Padua and Parma, and is often convictedof erroneous statements in matter of fact...   Cochin, who is confuted in theGuides to the cities of Padua and Parma, and is often convictedof erroneous statements in matter of factの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...But on examining theold paintings of Siena, of Venice, of Bologna, and of Parma, they arefound to be dissimilar in idea, in choice of colouring, and in taste ofcomposition...   But on examining theold paintings of Siena, of Venice, of Bologna, and of Parma, they arefound to be dissimilar in idea, in choice of colouring, and in taste ofcompositionの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...We shall consider him in theschool of Parma, as he left no work in Siena, except a fresco in thechurch of Fonte Giusta, a production of his youth, and not worthy of sogreat a name...   We shall consider him in theschool of Parma, as he left no work in Siena, except a fresco in thechurch of Fonte Giusta, a production of his youth, and not worthy of sogreat a nameの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...In the pictures noted, we have seen its effect in Florentine andLombard art; that it was also felt in isolated places, we may see insome of Correggio's work at Parma, at about the same time...   In the pictures noted, we have seen its effect in Florentine andLombard art; that it was also felt in isolated places, we may see insome of Correggios work at Parma, at about the same timeの読み方
Estelle M. Hurll 「The Madonna in Art」

...He afterwards returnedinto Lombardy, where he composed two other works, the one intitled LaDimora di Parma del Sig...   He afterwards returnedinto Lombardy, where he composed two other works, the one intitled LaDimora di Parma del Sigの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...Nor are his other two works of greaterutility, one of which contains some arguments in the same style, whichare proposed as a theme for disputation in the Academy of theInnominati, in Parma...   Nor are his other two works of greaterutility, one of which contains some arguments in the same style, whichare proposed as a theme for disputation in the Academy of theInnominati, in Parmaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...Two other landscape painters also lived in Rome at this time, Fabrizioof Parma, who may be ranked with Matteo, and Cesare, a Piedmontese, moreattached to the style of Paolo...   Two other landscape painters also lived in Rome at this time, Fabrizioof Parma, who may be ranked with Matteo, and Cesare, a Piedmontese, moreattached to the style of Paoloの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...Teresa, incompetition with the Abate Peroni of Parma...   Teresa, incompetition with the Abate Peroni of Parmaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...Blashfield, a delightful chapter on Parma describesCorreggio's works and analyzes his art methods...   Blashfield, a delightful chapter on Parma describesCorreggios works and analyzes his art methodsの読み方
Estelle M. Hurll 「Correggio」

...From a photograph of an alleged portrait ofCorreggio in the Parma Gallery...   From a photograph of an alleged portrait ofCorreggio in the Parma Galleryの読み方
Estelle M. Hurll 「Correggio」

...GiovanniEvangelista, Parma...   GiovanniEvangelista, Parmaの読み方
Estelle M. Hurll 「Correggio」

...Invitation to Parma from the Benedictines (p...   Invitation to Parma from the Benedictines (pの読み方
Estelle M. Hurll 「Correggio」

...Finally, in 1794,the Academy of Parma gained permission to examine Correggio'spaintings...   Finally, in 1794,the Academy of Parma gained permission to examine Correggiospaintingsの読み方
Estelle M. Hurll 「Correggio」

...Such an one is our frontispiece, from a painting in the Parma Gallery,pointed out as Correggio's portrait...   Such an one is our frontispiece, from a painting in the Parma Gallery,pointed out as Correggios portraitの読み方
Estelle M. Hurll 「Correggio」

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