例文・使い方で印象づける「Genoa」の覚え方


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...The ship wasagain got ready, and we sailed in September for Genoa...   The ship wasagain got ready, and we sailed in September for Genoaの読み方
Olaudah Equiano 「The Interesting Narrative of the Life of Olaudah Equiano, Or Gustavus Vassa, The African」

...A party of four young officers,returning from Genoa, stopped here...   A party of four young officers,returning from Genoa, stopped hereの読み方
Edward Jesse 「Anecdotes of Dogs」

..., Genoa, 2(2):234, March1863; Elenco sistematico degli ofidi...   , Genoa, 2(2):234, March1863; Elenco sistematico degli ofidiの読み方
John Wellman 「A Revision of Snakes of the Genus Conophis (Family Colubridae, from Middle America)」

...Stefano Genoa, Holy Family DresdenGal...   Stefano Genoa, Holy Family DresdenGalの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...They went to Genoa, thence to the great art-centresof Italy, were received everywherewith honour, and the artist bought wisely...   They went to Genoa, thence to the great art-centresof Italy, were received everywherewith honour, and the artist bought wiselyの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...While thus employed, on his return from Genoa in December, 1793, heexperienced a first attack of apoplexy, as he was passing the mountainsof Massa and Carrara...   While thus employed, on his return from Genoa in December, 1793, heexperienced a first attack of apoplexy, as he was passing the mountainsof Massa and Carraraの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Perhaps his best performance in the handsof strangers is a picture translated to a palace in Genoa from thechurch of the Domenicans of Sarzana, who possess several others, verybeautiful...   Perhaps his best performance in the handsof strangers is a picture translated to a palace in Genoa from thechurch of the Domenicans of Sarzana, who possess several others, verybeautifulの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Peter, at Genoa, which wasbut a miserable performance; a single production, however, is notsufficient to decide the character of an artist...   Peter, at Genoa, which wasbut a miserable performance; a single production, however, is notsufficient to decide the character of an artistの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...This style pleased at Florence, in Rome, and moreespecially at Genoa, where he was preferred to Sorri, many yearsestablished and in good repute...   This style pleased at Florence, in Rome, and moreespecially at Genoa, where he was preferred to Sorri, many yearsestablished and in good reputeの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...A few of his works remain in Genoa,where he painted the palace of Prince Doria; they are not numerous atPisa; but they abound in his native place, both in public and inprivate...   A few of his works remain in Genoa,where he painted the palace of Prince Doria; they are not numerous atPisa; but they abound in his native place, both in public and inprivateの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...In Genoa, however, his stay was not soshort...   In Genoa, however, his stay was not soshortの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...They tried this with one and found that the quantity ofgold was so small that it was not worth the trouble, and so the otherswere spared and sold to a merchant of Genoa...   They tried this with one and found that the quantity ofgold was so small that it was not worth the trouble, and so the otherswere spared and sold to a merchant of Genoaの読み方
Jennie Ellis Keysor 「Great Artists, Vol 1.」

...There are many works by him in Lucca, andPisa, but more particularly in Genoa, where we shall have occasion againto consider him as the origin of a celebrated school...   There are many works by him in Lucca, andPisa, but more particularly in Genoa, where we shall have occasion againto consider him as the origin of a celebrated schoolの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...In the Duomo of Genoa is aCrucifixion by him, with the Virgin and S...   In the Duomo of Genoa is aCrucifixion by him, with the Virgin and Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...He painted many pictures in Genoa, in conjunction withSalimbeni and Gentileschi, and was assisted by a scholar of his born inRome, and domiciled in Genoa, where he died...   He painted many pictures in Genoa, in conjunction withSalimbeni and Gentileschi, and was assisted by a scholar of his born inRome, and domiciled in Genoa, where he diedの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...He painted also in Genoa and Turin, and in these cities and in both thestates, we find some beautiful works, the more so as they resembleRubens in tone, to whose style of colour he aspired...   He painted also in Genoa and Turin, and in these cities and in both thestates, we find some beautiful works, the more so as they resembleRubens in tone, to whose style of colour he aspiredの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...He arrived in Genoa about 1510, andthere executed some works worthy of that golden age of art...   He arrived in Genoa about 1510, andthere executed some works worthy of that golden age of artの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...The works of Maja and Campora areto be found in Genoa, those of Sassi in Milan, and of others of theschool of Solimene in various cities...   The works of Maja and Campora areto be found in Genoa, those of Sassi in Milan, and of others of theschool of Solimene in various citiesの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

「Genoa」の意味・発音

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