...Here Assyria ended and Media began... 
George Grote 「The Two Great Retreats of History」
...
AFRICA (Egypt, Algeria, Tunisia); ASIA (Hindustan, Thibet, China,
Central Asia, Western Asia, Babylonia, Assyria, Syria, Phœnicia,
Palestine); EUROPE (Italy), By A...
Various 「The American Journal of Archaeology, 1893-1」
...The inscription describes wars of his father, his own relationswith Assyria, his defeats and victories...
Various 「The American Journal of Archaeology, 1893-1」
...The anthemion, which is the typical form, is derived from thetraditional lotus and bud of Egypt, Assyria, and India...
Richard Glazier 「A Manual of Historic Ornament」
...The early art of Persia was similar to that of Assyria and Babylon,having the same forms, materials, and traditions...
Richard Glazier 「A Manual of Historic Ornament」
...Religion was perhaps as real in Assyria as in Egypt, but it was lessapparent in art...
John C. Van Dyke 「A Text-Book of the History of Painting」
...The temple was not eloquent with the actions anddeeds of the gods, and even the tomb, that fruitful source of art inEgypt, was in Chaldæa undecorated and in Assyria unknown...
John C. Van Dyke 「A Text-Book of the History of Painting」
...There was perhaps lesssymbolism and more direct representation in Assyria than in Egypt...
John C. Van Dyke 「A Text-Book of the History of Painting」
...ART MOTIVES AND METHODS: Building, carving, and painting werepractised among the coastwise nations, but upon no such extensivescale as in either Egypt or Assyria...
John C. Van Dyke 「A Text-Book of the History of Painting」
...ART MOTIVES: Neither the monarchy nor the priesthood commanded theservices of the artist in Greece, as in Assyria and Egypt...
John C. Van Dyke 「A Text-Book of the History of Painting」
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